“ There is another type of art which can be brought legitimately under the heading of marine painting—the representation of the life of the people who have dealings with the sea and obtain from it their means of existence. The sailors, the fisher-folk, the many who work by and on the sea have their part in its story and provide the artist with ample matter by which this story can be appropriately illustrated. They live picturesquely and they are admirably in harmony with their surroundings ”
Marine art
Definition and stakes
Quotes about “marine art”
“ BRITISH MARINE PAINTING TO most people it will seem quite natural that British artists should give much attention to marine painting. The sea plays a very important part in our national affairs, influences the character of the people, and affects the political policy of the country, so almost as a matter of course it has its place among the sources of inspiration for our native art. ”
Curtis Guild, Over the Ocean; or, Sights and Scenes in Foreign Lands
“ Forests of masts are at the docks, one or two huge vessels of war out in the stream, some great, dismantled hulks on an opposite shore, and a fresh sea breeze coming in, curls the dark-blue waves over with a white fringe, making the whole scene appear very like dozens of "marine views" that we have seen in art galleries. ”
“ The conventional arrangement, the poetic transcription of fact, the realistic study, the decorative interpretation, and the frank expression of the modern idea are all presented and are available for intelligent comparison. The capabilities, too, of marine painting are made clear, and the extent of opportunity it affords to the serious student of art. There{25} are illustrations which have a specially instructive significance because of the technical knowledge of the subject displayed in them; there are others which are interesting on account of their imaginative quality ”
“ From the middle of the nineteenth century onwards there has been a steadily growing tendency to enlarge the scope of marine painting and to allow to the men who practise it more and more freedom in the assertion of their personal feeling in art matters. ”
William Falconer,
An Universal Dictionary of the Marine
“ In the different kinds of ships, referred to above, and distinguished from each other by their size or figure, we have only considered those which are most common in European nations, where the marine art has received the greatest improvements. ”
Morgan Robertson,
Over the border
(1914)
“ The artist, like myself, was a marine painter, each of us having followed the sea when young, and in answering to the higher call that comes at least once in every man's life, had taken to art with the sea for a specialty. ”
William Falconer,
An Universal Dictionary of the Marine
“ Being thus furnished with the methods to qualify a ship for the different purposes of navigation, the only difficulty remains to apply them properly in the construction, which must, in a great measure, be left to the judgment of the artist. The whole art then is evidently to form the body in such a manner, as that none of these qualities shall be entirely destroyed ”
“ This is because the sea life is so abounding in action, and because the people who lead it are of so many types and so unstereotyped in their ways, that to the painter who works by the sea a constant succession of new motives is presented, and motives, too, which by their picturesqueness and human interest satisfy completely the artistic demand.Clearly, in marine painting there is no lack of opportunities. In its various branches it offers to the artist room for the most divergent activities and it allows him a spacious field for the exercise of his powers. ”
“ For instance, the painter properly equipped would make the right distinction, both in colour and wave form, between the deep sea and that in shallow places; between the transparency of waves breaking on a rocky coast and those on a sandy beach; between the wave action in a tidal current moving with or against the wind; or between the seas that are penned in a narrow channel and those that are running free in wide spaces. These are elementary matters, perhaps, in the study of marine painting, but elementary or not they are only too often misapprehended by the careless observer ”
Jules Verne,
Dick Sand: A Captain at Fifteen
“ Its slightest changes charm the imagination of one who feels the poetry of the ocean. A marine herb which floats up and down on the waves, a branch of sargasso whose light track zebras, the surface of the waters, and end of a board, whose history he would wish to guess, he would need nothing more. ”
Daniel Burleigh Parkhurst, The Painter in Oil
“ The variety of effects and relations is infinite. You must study them, paint them in the presence of nature, and use your eyes; only remember the general principles of air and atmosphere and light and color that I have spoken of elsewhere—all have most vital importance on marine painting. You must study these, and think of them, and in the presence of sea or sky observe their bearings, and apply them as well as you can. ”
“ What makes the problems of marine painting so complex is, first of all, the fact that the sea is never in absolute repose, and therefore its surface forms are constantly undergoing some degree of change. Another difficulty is that the sea-water seems to vary in composition and consistency according to the conditions under which it is viewed; at one time it is solid, opaque, ponderous, and sombre in colour, and at another it is light, transparent and full of delicate tints. ”
Philip Henry Gosse,
A Year at the Shore
“ It requires some zeal in the pursuit of scientific lore to leave the glowing fire and the pleasant book, the luxurious arm-chair and the elastic carpet, and to venture down to the wild sea-beach, to poke and peer among the desolate rocks. Yet even now we may find a few bright days, when Nature abroad looks inviting, and when an hour’s marine research will prove neither unpleasant nor unsuccessful. ”
George Frederic Jackson, Once a Week (1862)
“ A few steps further and a lifting of the horizon, with a breath of fresher air coming at the same moment—a filling as it were of new vigour—suddenly ensued, and at once the sea bursts upon our view, gleaming, rolling, fading far away into the distance, of that deep pure beautiful colour, the true ultra-marine tint, which only a Cornish sea, so far as I know, possesses, and which Mr. Hook, as I think, alone among artists, can paint. ”
Various, Blackwood's Edinburgh Magazine…
“ And yet it was not till this comparatively advanced stage of the nautical art—when man had obtained a faithful guide in his most devious and trackless wanderings—when he was apparently set free from the unsteady dominion of the seas and of the fickle winds—and amid his labyrinthine course could ever and at once turn his face towards his happy and expectant home;—it was not till this period that science began to lend her most useful and most extensive aids, and that her value in the advancement of the sailor's art began to be justly appreciated. ”
Various, Blackwood's Edinburgh Magazine…
“ Look at that magnificent ship, which cleaves the waters, now trusting to her canvass and wafted by favouring breezes; now, despite the fiercest gales, paddling her triumphant way over hill and valley, precipice and ravine, which the raging sea, out of her fertile materials, is every moment fashioning beneath her feet. Is there any product of human art in which more intellect is embodied than in this piece of living mechanism? ”
F. V. N. Painter, Elementary Guide to Literary Criticism
“ Naval fiction belongs to the sea. It is an interesting field, though somewhat limited in its range of character and incident. The sea itself, with its magnificent and changing moods, is a sublime object. The restricted life on shipboard—the telling of yarns beneath the starlit skies, the spirit of mingled superstition and daring, the prompt and brave activities attending a storm, and, above all, the excitement and dangers of battle—has for the landsman a peculiar charm. ”
William Michael Rossetti,
Notes on the Royal Academy Exhibition…
(1868)
“ We see a manned boat and a wrecking ship upon the immense ocean, with its swirling drift blown across like a tongue of tormented flame; and huge volumes of grey cloud over the horizon, walling out from the sea the gorgeous dawn of a new day, on fire with the blaze of sunlight. The painting of the vast sea-surface is a very great effort of knowledge and mastery, and a very successful one. ”
Marsden Hartley,
Adventures in the Arts
“ The marine painters of this period, and earlier, of which there have been almost numberless instances, and of whose fine performances there are large numbers on view in the Marine Museum in Salem, Mass., offer further authentication of private experience with phases of life that men of the sea are sure to know, the technical beauty alone of which furnishes the spectator with many surprises and fascinations in the line of simplicity and directness of expression. ”
David Christie Murray,
My Contemporaries In Fiction
“ They are so sharp, so vivid, so detailed, so true, that a marine painter might work from them. And the really remarkable thing about them is the infinite variety of these seascapes and skyscapes. He seems never to repeat himself. ”
“ The marine painters of our modern days who work with conscience and a love of completeness owe, perhaps, more than they realize to these predecessors of theirs who established the tradition of serious effort to get things right, and who built this tradition upon first-hand knowledge.But to some extent it is to the example of these specialists that must also be ascribed the skill in sea painting that, as time went on, was attained by many{13} of their contemporaries who did not deal systematically with this class of subject. ”
Samuel Lockwood, Popular Science Monthly (1874)
“ WITH one's eyes kept open, how very much there is to excite interest in a summer stroll beside the sea! Marine life—the creatures that represent the life-zone that belts or fringes the great murmuring world of waters—is so peculiar, some exquisitely beautiful, as the sea anemones, others droll and grotesque, as the great class known as the Crustacea. ”
Frank B. Goodrich, Ocean's Story; or, Triumphs of Thirty Centuries
“ Art is advancing to perfection! My children, you have discovered a powerful agent in navigation. All nations will cover the ocean with their fleets and wander to distant regions. Men, differing in their manners and separated by seas, will disembark upon peaceful shores, and import thence foreign science, superfluities, and art. Then shall the mariner fearlessly cruise over the immense abyss and discover new lands and unknown seas! ”
“ Sea painters of the higher rank have come with scarcely an exception from countries which have an extended coast-line and in which the seafaring habit has been developed by centuries of maritime activity—countries in which the use of the sea for purposes of commerce or communication has been a necessity. ”
“ By that time artists were moving about much more freely in search of motives, and many of them made frequent visits to the coast with the particular intention of mastering the problems of sea painting, and of studying at first hand phases of nature which were to them comparatively new. ”
Frank Thomas Bullen, Idylls of the Sea, and Other Marine Sketches
“ To eager students of marine natural history, nothing can well be stranger than the manner in which, with two or three honourable exceptions, the sperm whale fishers of the world have “sinned their mercies.” To them as to no other class of sea-farers have been vouchsafed not glimpses merely, but consecutive months and years of the closest intimacy with the secret things of old ocean, embracing almost the whole navigable globe. ”
“ We are under an air-shaft running up to the poop-deck, and we may go no further. The fourteen-inch shaft disappears through a gland, and, just beyond that is the eighteen-foot propeller whirling in the blue ocean water. Here, for us, is the great First Cause. Of the illimitable worlds of marine flora and fauna outside these riveted steel walls the sailor-man knows nothing and cares less. What are called “the wonders of the deep” have no part in the life of the greatest wonder of the deep—the seaman. ”
“ What is particularly to be learned from Henry Moore’s pictures is the wide variety of matters which have to be studied by the men who aspire to paint the sea with a sufficient measure of artistic fitness. There are, of course, many ways of representing the sea pictorially—as a background or setting to some nautical incident; as an accessory in a scene which has humanity for its main interest; as a generalized scheme of colour or tone; as a decorative motive with conventionalized forms; or as a poetically indefinite fantasy in which nearly everything is left to the imagination of the beholder. ”
Henry A. Beers,
A History of English Romanticism in the Nineteenth Century
“ He claimed that it was the appearances of nature, the sea and the sky, that lent sublimity to the launch of the ship, and asked: "If images derived from art are as beautiful and sublime as those derived from nature, why was it necessary to bring your ship off the stocks?" ”
Hawthorne Daniel, Ships of the seven seas (1925)
“ They hewed the timbers, and fashioned them, and made their ships as artists paint their canvases, not by the aid of mathematics but by the aid of the innate art that was theirs and the experience of generations of forefathers bred to the sea. ”
“ His picture is entirely credible: he makes us believe that he has put before us what actually happened, and he treats the whole motive with a seamanlike understanding that clears it of all suspicion of artificiality. Compositions of this type were popular a century ago, when the sea painters had opportunities to witness such picturesque, yard-arm to yard-arm naval actions; the sea-fights of to-day do not lend themselves so well to the artist’s purposes. A good deal of the drama must inevitably be lost when miles of water intervene between the opposing fleets. ”
conte Baldassarre Castiglione, The Book of the Courtier (1901)
“ Leave nature, and come to art. What thing is so necessary in ships as the prow, the sides, the yards, the masts, the sails, the helm, the oars, the anchors and the cordage? Yet all these things have so much comeliness, that it seems to him who looks upon them that they are thus devised as much for beauty as for use. ”
Joseph Conrad,
The Mirror of the Sea
“ The cradle of oversea traffic and of the art of naval combats, the Mediterranean, apart from all the associations of adventure and glory, the common heritage of all mankind, makes a tender appeal to a seaman. It has sheltered the infancy of his craft. He looks upon it as a man may look at a vast nursery in an old, old mansion where innumerable generations of his own people have learned to walk. ”
Catalogue of valuable paintings and water colors mostly of the modern Dutch school… (1907)
“ To the left, and beyond, other craft are lazily drifting on the quiet water, which is broken near the shore by long lines of low breakers, and the view extends across the shimmering sea to where the horizon is lost in the summer mist, broken only by the shadows of the shapes of distant vessels. Small scuds drift across the sky, glowing with the warm light of the sun, which is far below the horizon. ”
Richard Henry Dana,
Two Years Before the Mast
“ There is a witchery in the sea, its songs and stories, and in the mere sight of a ship, and the sailor's dress, especially to a young mind, which has done more to man navies, and fill merchantmen, than all the press-gangs of Europe. I have known a young man with such a passion for the sea, that the very creaking of a block stirred up his imagination so that he could hardly keep his feet on dry ground ”
William Clark Russell,
An Ocean Tragedy
“ She had the beam and scantling of a revenue cutter, with high bulwarks, and an elliptical stern, and a bow with the sheer of a smack, but elegant beyond expression with its dominating flair at the catheads, where it fell sharpening to a knife-like cutwater, thence rounding amidships with just enough swell of the sides to delight a sailor’s eye.The merest landsman must instantly have recognised in her the fabric and body of a sea-going craft of the true pattern. ”
