Movie industry

Definition and stakes

Portrait of Edward S. Van Zile Edward S. Van Zile That Marvel—The Movie

In what I have said, and am about to say, regarding the evil influences affecting the early years of the movie, I do not wish to do an injustice to those early promoters in the new industry who refused to degrade the screen, or to treat it as an ephemeral, wild-cat speculation. There were producers, at the very outset of the industry, who builded perhaps better than they knew, and who, because of their refusal to take the path of least resistance, are now, after a quarter of a century of film exploiting, the most successful and influential factors in the industry.
Source: Gutenberg

Myron M. Stearns With the movie makers (1923)

This may seem a little rough, when we apply it to the great movie industry, but it is the truth. That is, it is the truth about the movie beginnings, the first years.
For instance, there were a couple of men who did reporting, off and on, for a Los Angeles newspaper. They drifted into motion-picture work when the first studios came into Hollywood—because they had no steady jobs to keep them from trying out this new gamble. But the star reporters and the influential “desk” men on the paper didn’t have any time to fool away on the new wildcat schemes.
Source: Gutenberg

Portrait of Edward S. Van Zile Edward S. Van Zile That Marvel—The Movie

As the representative of leading producers and distributors of American films, I can say that in no industry or art will be found men and women more earnest to progress in the right way. With a full sense of our responsibilities, and an ardor toward perfection, we are at work to do the best possible things for the motion picture and its world-wide audience.
Source: Gutenberg

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