Scald (poet)

“ Splendid!" cried Spinrobin, starting from his chair, seizing with his imagination potently stirred, this possibility of developing character and rousing the forces of the soul.
"We shall yet call upon the Names, and see," replied Skale, placing a great hand upon his companion's shoulder, "not aloud necessarily, but by an inner effort of intense will which sets in vibration the finer harmonics heard only by the poet and magician, those harmonics and overtones which embody the psychical element in music. ”

“ Upon leaving the Old Manse he published the Mosses, announcing that it was the last collection of tales he should put forth. Those who knew him and recognized his value to our literature trembled lest this was the last word from one who spoke only pearls and rubies. It was a foolish fear. The sun must shine, the sea must roll, the bird must sing, and the poet write. During his life in Salem, of which the introduction to The Scarlet Letter describes the official aspect, he wrote that romance. It is inspired by the spirit of the place. ”

“ We may venture indeed to suspect that Scaliger “had more wit than to be here.” One may frequently differ with him; but he seldom runs mad on mere theory. It is he, for instance, who, while, as we have seen, he lays down uncompromisingly that the material of poetry is verse, instances the Æthiopica as a perfect epic. Instead of confusing poetry and learning, as some have done, he holds the much more sensible position that learning is useful to a poet. He takes the hard-and-fast ethical view of the ends both of tragedy and of all poetry, and he believes firmly in the type. ”

“ Varchi [156] is at one with Maggi in interpreting the katharsis as a purgation, not of pity and fear themselves, but of emotions similar to them.
For Scaliger (1561) the aim of tragedy, like that of all poetry, is a purely ethical one. It is not enough to move the spectators to admiration and dismay, as some critics say Æschylus does; it is also the poet's function to teach, to move, and to delight. The poet teaches character through actions, in order that we should embrace and imitate the good, and abstain from the bad. ”

“ It is already said, and as I think truly said, it is not riming and versing that maketh poesy. One may be a poet without versing, and a versifier without poetry. But yet presuppose it were inseparable—as indeed it seemeth Scaliger judgeth—truly it were an inseparable commendation. For if oratio next to ratio, speech next to reason, be the greatest gift bestowed upon mortality, that cannot be praiseless which doth most polish that blessing of speech; which considereth each word, not only as a man may say by his forcible quality, but by his best-measured quantity ”

“ The men of late generations had really been rather grotesque, crowds of them strutting their personalities about in some rag or gaud of spiritual skill, yet glaring with the lues of a low evolution. One of the most highly-famed poets of the nineteenth century had had—what did they think?—a paunch. "Ho! Ho!" he howled, "think of the pure grotesqueness of it! a poet with a pouch! no wonder he was obscure! it is like a poet with spectacles on his nose! or a poet with bo-peep in his teeth, whom no pious miss would kiss!" ”

“ In vol. i. p. 33, he says, "In the Scaligerana we have Joseph Scaliger's opinion concerning poets. 'There never was a man who was a poet, or addicted to the study of poetry, but his heart was puffed up with his greatness.'—This is very true. The poetical enthusiasm persuades those gentlemen that they have something in them superior to others, because they employ a language peculiar to themselves. When the poetic furor seizes them, its traces frequently remain on their faces, which make connoisseurs say with Horace,
Aut insanit homo, ant versus facit. ”

“ Already at that time Claude, in addition to his powder-flask and cartridge-belt, took with him an album, in which he sketched little bits of country, while Sandoz, on his side, always had some favourite poet in his pocket. They lived in a perfect frenzy of romanticism, winged strophes alternated with coarse garrison stories, odes were flung upon the burning, flashing, luminous atmosphere that enwrapt them. And when perchance they came upon a small rivulet, bordered by half a dozen willows, casting grey shadows on the soil all ablaze with colour, they at once went into the seventh heaven. ”

“ What more can the poet desire, and indeed what more can he find in life, and find there with the same certainty and accuracy? Virgil has created a nature far more perfect than that of reality, and one compared with which the actual world and life itself seem but pale and without beauty. What Scaliger stands for, then, is the substitution of the world of art instead of life as the object of poetic imitation. This point of view finds expression in many of the theorists of his time. Partenio, for example, asserts that art is a firmer and safer guide than nature ”

“ For the methods of poet and magician, I tell you, my dear Spinrobin, are identical, and all the faiths of the world are at the heels of that thought. Provided you have faith you can—move mountains! You can call upon the very gods!"
"A most wonderful idea, Mr. Skale," faltered the other breathlessly, "quite wonderful!" The huge sentences deafened him a little with their mental thunder. ”

“ Scollard is almost wholly an objective poet, and by method a painter. His palette is ever ready for the picture furnished him at every turn, and hence his several volumes relating to the Orient, Lutes of Morn, Lyrics of the Dawn, Songs of Sunrise Lands, etc., are perhaps truer standards by which to measure his work than any other, illustrating as they do the pictorial side of his talent. ”

“ A still higher conception of the poet's function is to be found in Puttenham's Arte of English Poesie (1589) . The author of this treatise informs us that he had lived at the courts of France, Italy, and Spain, and knew the languages of these and other lands; and the results of his travels and studies are sufficiently shown in his general theory of poetry. His conception of the poet is directly based on that of Scaliger. Poetry, in its highest form, is an art of "making," or creation; and in this sense the poet is a creator like God, and forms a world out of nothing. ”

“ A poet is a teacher, whether he will or no, and the heart should be the vital textbook of his expounding. It is because of their deeper rooting in life, though a life foreign to us, that the Oriental poems of Mr. Scollard have often greater vitality than the Occidental ones, whose inspiration is found chiefly in nature. His ballads show that he has a sympathetic insight into character and a knowledge of human motive that would, if infused more widely through his work, give to it a warmth of personal appeal and a subjectivity which in many of its phases it now lacks. ”

“ The terrifying beauty of Skale's ideas; the realization in cold blood that all forms in the world about him were silently a-singing, and might any moment vanish and release their huge bodies into primal sounds; that the stones in the road, the peaked hills, the very earth herself might alter in shape before his eyes: on the other hand, that the viewless forces of life and death might leap into visibility and form with the calling of their names ”

“ Miriam and the delicious human life faded into insignificance again. What, in the name of the eternal fires, were a girl's lips and love compared to the possibilities of Olympian achievement promised by Skale's golden audacities? Earth faded before the lights of heaven. The whole tide of human emotion was nothing compared to a drop of this terrible salt brine from seas in unknown stars.... As usual Skale's personality caught him up into some seventh heaven of the soaring imagination.
"Spinrobin, my glorious companion in adventure," thundered the clergyman, "your note suits perfectly the chord! ”

“ The greatest in volume is made up of the sagas: narratives mainly in prose, ranging all the way from authentic history of the Norwegian kings and the early Icelandic settlements to fairy-tales. Embodied in the sagas is found the material composing the second group: the skaldic poetry, a vast collection of songs of praise, triumph, love, lamentation, and so on, almost uniformly characterized by an appalling complexity of figurative language. There is no absolute line to be drawn between the poetry of the skalds and the poems of the Edda, which we may call the third group ”

“ Scollard’s singing impulse. The Oriental poems have somewhat of this phase of his work, though more especially inclining to the narrative style; and the epic poem “Skenandoa,” while written in a story-lyric, shows the ballad-making qualities, which in their true note had been heard earlier in “Taillefer the Trouvère,” and have been heard more definitely in Ballads of Valor and Victory, recently written in collaboration with Mr. Wallace Rice, and reciting the heroisms and adventures of soldier, sailor, and explorer from Drake to Dewey.
Ballad-writing is an art calling for distinct gifts. ”

“ Scollard’s work that the melody often carries the charm rather than the expression or basic theme. He is primarily a singer, he has the “lute in tune,” and the song is so spontaneous as sometimes to outsing the motive. There is always a felicitous, and often unique, turn of phrase and a most imaginative fancy, but one feels in a good deal of the work a lack of acid; it is too bland to bite as deeply as it ought. Just a bit sharper tang is needful. ”

“ In the midst of the drab circumstances of Salem this woman of such radiance of beauty and magnificence of life rises up and cracks the stiff frame of the time. Great as her own suffering is, she has in some measure contributed to let a little light into the general tragedy of her sex. The Scarlet Letter is not merely a Puritan story. A spirit larger than Puritanism, as large as the world's experience, informs and ripens the book.
Against a background so somber all the more do the fantastic elements stand out. ”

“ But the mere utterance of that delightful name--in the way Skale uttered it--brought confidence and peace.
"... Could we but hear them!" Skale continued, half to himself, half to his probationer; "for the sad thing is that today the world has ears yet cannot hear. As light is distorted by passing through a gross atmosphere, so sound reaches us but indistinctly now, and few true names can bring their wondrous messages of power correctly. ”

“ Skale's voice, storming its way somehow above the tumult, made itself heard:
"To the rooms upstairs, Spinrobin! To the corridor with Miriam! And when you hear my voice from the cellar--utter! We may yet be in time to unite the Letters...!" ”

“ The Edda-songs are as a rule noble and simple in style, but even here, especially in the youngest of them, those artificial tendencies begin to show themselves, which are so conspicuous and common in the compositions of the skalds, that they, considered as a whole, constitute one of the most remarkable phenomena in the history of literature. The fundamental principle of this abnormity is found in all poetry. The poets of all lands and ages have striven to ornament and elevate their style by the use of figurative expressions ”

“ He thought, too, of that slender, ghostly figure that haunted the house with its soft movements and tender singing. Lastly, he remembered his strange conviction that somewhere in the great building, possibly in his own corridor, there were other occupants, other life, Beings of unearthly scale waiting the given moment to appear, summoned by utterance.
"And you will understand now why it is I want a man of high courage to help me," Skale resumed in a louder tone, standing sharply upright; "a man careless of physical existence, and with a faith wholly beyond the things of this world!" ”

“ Why, oh, why, could not all faces let the soul shine through? Why could not all identify themselves with their eternal part, and thus learn happiness and joy? A sense of the futile agony of life led him with an impassioned eagerness again to the thought of Skale's tremendous visions, and of the great Experiment that beckoned beyond. Only, once more the terror of its possible meaning dropped upon him, and the little black serpents of fear shot warningly across this brighter background of his hopes. ”

“ They were the upper notes in the same chord together, linked in a singing and harmonious relation, the one necessary to the other. Moreover, in the presence of Mr. Skale and the housekeeper, bass and alto in the full chord, their completeness was still more emphasized, and they knew their fullest life. The adventure promised to be amazingly seductive. He would learn practically the strange truth that to know the highest life Self must be lost and merged in something bigger. And was this not precisely what he had so long been seeking—escape from his own insignificance? ”

“ Skale went on with a reverence born of profoundest awe, "the captured sounds I hold are but the opening vibrations of this tremendous name, and the task is of such magnitude that absolute courage and absolute faith are essential. For the sounds are themselves creative sounds, and the consequences in case of faulty utterance might be too appalling to contemplate—"
"Creative!" fell from the little man on the sofa, aghast at the possibility. ”