T. F. Brownell, Popular Science Monthly (1877)
“ None the less is it true in those higher forms of art and action where close imitation is less desired than the interpretation of some pervading spirit, or the representation of some underlying essential. In the acts of painting a landscape, of copying a picture, of interpreting a symphony, of reading a poem, of acting a play, of following an argument, or in any of the common or artistic acts of men, be they mental or physical, the personal equation of the actor enters as a perceptible element in the result. ”
