T. F. Brownell

Summary

T. F. Brownell,  Popular Science Monthly (1877)

“ None the less is it true in those higher forms of art and action where close imitation is less desired than the interpretation of some pervading spirit, or the representation of some underlying essential. In the acts of painting a landscape, of copying a picture, of interpreting a symphony, of reading a poem, of acting a play, of following an argument, or in any of the common or artistic acts of men, be they mental or physical, the personal equation of the actor enters as a perceptible element in the result. ”
Source: Wikisource

T. F. Brownell,  Popular Science Monthly (1878)

“ In this system, then, the only digit employed is 1. The 0 plays the same important part in it as in the decimal system. It multiplies the figure that immediately precedes it by the value of the radix. The symbol 40, in our denary scale, represents ten times four; in the octenary it would denote eight times four, and in the quinary five times four. These two symbols, 1 and 0, then, are the only ones that enter into calculations. It is evident that thought in arithmetical work is almost superseded, and that all numerical operations are reduced to the manual labor of writing. ”
Source: Wikisource

T. F. Brownell,  Popular Science Monthly (1877)

“ The absolute personal equation, as the error is called, is as likely to appear in the observations of one as in those of the other. The error of four-fifths of a second, which invariably appeared, does not represent a difference from the exact truth, but the constant difference between the amount of error habitual to one of these observers and the amount of error habitual to the other. ”
Source: Wikisource

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