Summary

Portrait of Aesop Aesop Æsop's Fables, Embellished with One Hundred and Eleven Emblematical Devices

Why should we think others born to hard treatment more than ourselves? Or imagine it can be reasonable to do to another, what we ourselves should be unwilling to suffer? In our behaviour to all mankind, we need only ask ourselves these plain questions, and our consciences will tell us how to act. Conscience, like a good valuable domestic, plays the remembrancer to us upon all occasions, and gives us a gentle twitch, when we are going to do a wrong thing. It does not, like the adder in the fable, bite us to death, but only gives us kind cautions.
Source: Gutenberg

Portrait of Aesop Aesop Æsop's Fables, Embellished with One Hundred and Eleven Emblematical Devices

Indeed, a state of slavery, with whatever seeming grandeur and happiness it may be attended, is yet so precarious a thing, that he must want sense, honour, courage, and all manner of virtue, who can endure to prefer it in his choice. A man who has so little honour as to bear to be a slave, when it is in his power to prevent or redress it, would make no scruple to cut the throats of his fellow creatures, or to do any wickedness that the wanton unbridled will of his tyrannical master could suggest.
Source: Gutenberg

Portrait of Aesop Aesop Æsop's Fables, Embellished with One Hundred and Eleven Emblematical Devices

Beauty, being only the external form of a thing which strikes the eye in a pleasing manner, is a very thin glossy being, and, like some nice paintings of a peculiar composition, will not well bear even to be breathed on: to preserve our good opinion of it, we must not approach too close; for if, like the man in the fable, we have a mind to search for a treasure within, we may not only fail of our expectations there, but even lose the constant relish we enjoyed from a remoter contemplation.
Source: Gutenberg

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