Agnes Repplier

Agnes Repplier

Compromises (1904)

Summary

Portrait of Agnes Repplier Agnes Repplier,  Compromises (1904)

“ A similar treasury (be it reverently spoken) holds for us all the stored-up laughter of the world, and from it comes human help in hours of black dejection. Whoever enriches this exchequer should be held a benefactor of his race. Whoever robs it—no matter what heroic motives he may advance in extenuation of the deed—has sinned heavily against his fellow men. For the gayety of life, like the beauty and the moral worth of life, is a saving grace, which to ignore is folly, and to destroy is crime. There is no more than we need,—there is barely enough to go round. ”
Source: Gutenberg

Portrait of Agnes Repplier Agnes Repplier,  Compromises (1904)

“ This is a matter worthy of regard, because the charm of a novel is based largely upon the attraction its hero has for women, and its heroine for men. Incident, dialogue, the development of minor characters,—these things have power to please; but the enduring triumph of a story depends upon the depth of our infatuation for somebody that figures in it, and here, as elsewhere, the instinct of sex reigns supreme. Why is it impossible for a man, who is not an artist or an art-critic, to acknowledge that the great portraits of the world are men’s portraits? ”
Source: Gutenberg

Portrait of Agnes Repplier Agnes Repplier,  Compromises (1904)

“ It is the cordial effort made to meet the tourist halfway, to minister to his supposed wants, and to profit by his supposed wealth, that desolates the loveliest cities in the world, that flouts the face of nature, and rasps our most tender sensibilities. Venice turned into a grand bazaar, Vaucluse packed with stalls for the sale of every object which ought never to be found there, the Falls of the Rhine lit up by electricity, like the transformation scene of a ballet;—is it our misfortune or our fault that these things may be directly traceable to us? ”
Source: Gutenberg

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