Charles Kingsley

Charles Kingsley

Summary

Portrait of Charles Kingsley Charles Kingsley Plays and Puritans

When, again, comedy, instead of stirring a divine scorn of baseness, or even a kindly and indulgent smile at the weaknesses and oddities of humanity, learns to make a mock of sin,—to find excuses for the popular frailties which it pretends to expose,—then it also is of the devil, and to the devil let it go; while honest and earnest men, who have no such exceeding love of ‘Art’ that they must needs have bad art rather than none at all, do the duty which lies nearest them amid clean whitewash and honest prose.
Source: Gutenberg

Portrait of Charles Kingsley Charles Kingsley Plays and Puritans

General goodness and beauty, intense though pure affection for a man below her in rank, and a will to carry out her purpose at all hazards, are not enough to distinguish her from thousands of other women: but Webster has no such purpose. What he was thinking and writing of was not truth, but effect; not the Duchess, but her story; not her brothers, but their rage; not Antonio, her major-domo and husband, but his good and bad fortunes; and thus he has made Antonio merely insipid, the brothers merely unnatural, and the Duchess (in the critical moment of the play) merely forward.
Source: Gutenberg

Portrait of Charles Kingsley Charles Kingsley Plays and Puritans

Where learned we that devilish art and practice of duel, wherein men seek honour in blood, and are taught the ambition of being glorious butchers of men? Where had we that luxurious delicacy in our feasts, in which the nose is no less pleased than the palate, and the eye no less than either? wherein the piles of dishes make barricadoes against the appetite, and with a pleasing encumbrance trouble a hungry guest. Where those forms of ceremonious quaffing, in which men have learned to make gods of others and beasts of themselves, and lose their reason while they pretend to do reason?
Source: Gutenberg

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