Edmund Edward Fournier d'Albe

Edmund Edward Fournier d'Albe

Summary

Portrait of Edmund Edward Fournier d'Albe Edmund Edward Fournier d'Albe Hephæstus; or, The Soul of the Machine (1925)

There is an increasing tendency in modern thought to abolish the distinction between soul and body and to regard them as one and indivisible. Adopting that view, we may assert that the use of a weapon means the enlargement of a man’s body and the [20] simultaneous expansion of his soul. Every weapon, every tool, every machine is the embodiment of a human thought and purpose. The user adopts that thought and purpose, and behold—the machine has found its soul!
Source: Gutenberg

Portrait of Edmund Edward Fournier d'Albe Edmund Edward Fournier d'Albe Hephæstus; or, The Soul of the Machine (1925)

The age of science, discovery, and invention, the age of mechanism and machinery and power, has come and come to stay. Man, liberated from mechanical drudgery by the machine, has time to develop his intellectual and artistic powers. His necessities being supplied by pressing a button, he is liberated to enjoy a more varied existence. If some men and women are still bound to monotonous tasks, it does not necessarily mean unhappiness, for the Pathfinders’ life is one of constant care and much anxiety.
Source: Gutenberg

Portrait of Edmund Edward Fournier d'Albe Edmund Edward Fournier d'Albe Hephæstus; or, The Soul of the Machine (1925)

People became so accustomed to the perfect functioning of a machine or a clock, so impressed with its regularity and intelligible complexity, that they began to look upon mechanism as a primary thing capable of “explaining” many non-mechanical things, not excluding the phenomena of life. Why should not man himself, the inventor of machinery, be a machine?
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature