Summary

Portrait of Edward Stanley Edward Stanley Before and after Waterloo

At length, amidst hurras and cries of "Talma! Talma!" the curtain was closed up, and my last impression rendered unfavourable by a vulgar, graceless figure in nankeen breeches and top-boots hurrying in from a side scene, dropping a swing bow in the centre of the stage, and then hurrying out again.
Theatres are to Frenchmen what flowers are to bees: they live in them and upon them, and the sacrifice of liberty appears to be a tribute most willingly paid for the gratification they receive; for, to be sure, never can there exist a more despotic, arbitrary government than that of a French theatre.
Source: Gutenberg

Portrait of Edward Stanley Edward Stanley Before and after Waterloo

And now, adieu Paris! At 2 o'clock on Wednesday a green coach, which none of you could see without ten minutes' laughing at least—three horses and a postillion! (what would I give just to drive up to Winnington with the whole equipage!) —carried us to Versailles, and there I longed for Louis XIV. as much as for Buonaparte at St. Cloud; for one cannot fancy any one living in those rooms or walking in those gardens without hoops and Henri quatre plumes. If one could but people them properly for a couple of hours, what a delightful recollection it would be!
Source: Gutenberg

Portrait of Edward Stanley Edward Stanley Before and after Waterloo

It is the grand burial-place of Paris; all who choose may purchase little plots of ground, from a square foot to an acre, for the deposition of themselves and their families. Its extent is about 84 French acres, and upon no spot in the world is the French character so perfectly portrayed. Each individual encloses his plot and ornaments it as he chooses, and the variety is quite astonishing. It appears like a large Shop full of toys, work-baskets, Columns, little Cottages, pyramids, mounts—in short, what is there in the form of a Monument which may not there be found?
Source: Gutenberg

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