Summary

Portrait of Elbert Hubbard Elbert Hubbard Little Journeys to the Homes of the Great - Volume 01

Thackeray was a poet, and as such was often caught in the toils of doubt—the crux of the inquiring spirit. He aspired for better things, and at times his imperfections stood out before him in monstrous shape, and he sought to hiss them down.
In the heart of the artist-poet there is an Inmost Self that sits over against the acting, breathing man and passes judgment on his every deed. To satisfy the world is little; to please the populace is naught; fame is vapor; gold is dross; and every love that has not the sanction of that Inmost Self is a viper's sting.
Source: Gutenberg

Portrait of Elbert Hubbard Elbert Hubbard Little Journeys to the Homes of the Great - Volume 01

The novelist must have lived, and the novelist must have imagination. But this is not enough. He must have power to analyze and separate, and then he should have the good taste to select and group, forming his parts into a harmonious whole.
Yet he must build large. Life-size will not do: the statue must be heroic, and the artist's genius must breathe into its nostrils the breath of life.
The men who live in history are those whose lives have been skilfully written. "Plutarch is the most charming writer of fiction the world has ever known," said Emerson.
Source: Gutenberg

Portrait of Elbert Hubbard Elbert Hubbard Little Journeys to the Homes of the Great - Volume 01

Dear old M. Taine, ever glad to score a point against the British, and willing to take Dickens at his word, says, "We have no such men in France as Scrooge and Squeers!"
But, God bless you, M. Taine, England has no such men either.
The novelist takes the men and women he has known, and from life, plus imagination, he creates. If he sticks too close to nature he describes, not depicts: this is "veritism." If imagination's wing is too strong, it lifts the luckless writer off from earth and carries him to an unknown land.
Source: Gutenberg

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