Summary

Portrait of Erasmus Darwin Erasmus Darwin The Temple of Nature; or, the Origin of Society…

But in our waking hours, whenever any object occurs which does not accord with the usual course of nature, we immediately and unconsciously exert our voluntary power, and examine it by intuitive analogy, comparing it with our previous knowledge of nature. This exertion of our volition excites many other ideas, and is attended with pleasurable sensation; which constitutes the sentiment of novelty. But when the object of novelty stimulates us so forcibly as suddenly to disunite our passing trains of ideas, as if a pistol be unexpectedly discharged, the emotion of surprise is experienced
Source: Gutenberg

Portrait of Erasmus Darwin Erasmus Darwin The Temple of Nature; or, the Origin of Society…

Thus an ancient poet is said to have written a poem on the miseries of the world, and to have thence become so unhappy as to destroy himself. When we reflect on the perpetual destruction of organic life, we should also recollect, that it is perpetually renewed in other forms by the same materials, and thus the sum total of the happiness of the world continues undiminished; and that a philosopher may thus smile again on turning his eyes from the coffins of nature to her cradles.
Source: Gutenberg

Portrait of Erasmus Darwin Erasmus Darwin The Temple of Nature; or, the Origin of Society…

And hence at our maturer years, when any object of vision is presented to us, which by its waving or spiral lines bears any similitude to the form of the female bosom, whether it be found in a landscape with soft gradations of rising and descending surface, or in the forms of some antique vases, or in other works of the pencil or the chisel, we feel a general glow of delight, which seems to influence all our senses; and if the object be not too large, we experience an attraction to embrace it with our arms, and to salute it with our lips, as we did in our early infancy the bosom of our mother.
Source: Gutenberg

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