F. A. Wright

“ It is better for me to die.’ Her one pathetic desire is to die, not on compulsion but as a willing sacrifice,—to escape from life nobly (the word recurs as often in Euripides as it does in Ibsen’s Hedda Gabler) , to leave the ignoble servitude of woman’s lot. She begs Iolaus to deal the death-blow and to cover her dead body. But Iolaus, brave old man though he is, cannot bring himself to see her die, and her last request is that at least she may die not among men, but in the arms of women. ”

“ She was the property of her owner, and her only duty was to obey him in all things: virtue, chastity, modesty, were for her things impossible of attainment; and over the whole business was cast the protection and encouragement of the law. There came into existence a class of women condemned to physical and moral degradation—a class whose very existence was an insult to womankind; so that Aristophanes, at least, has the wit to see that the establishment of a female government would have as one of its first results the forcible abolition of all such recognised and legal forms of vice. ”

“ Again, Nausicaa has no traces of the timid shyness which is counted a virtue among harem women. She faces the half-naked Odysseus boldly, as he comes from the bush where he has been hiding ‘like a lion of the hills, rained upon and buffeted by the wind, and his eyes are ablaze,’ and in all her dealings with him she is a charming mixture of generosity and caution.
Moreover, the morality of the Odyssey in all sexual matters is very high, and, if it is not offensive to say so, it is women’s morality. ”

“ The doctrine that a wife is her husband’s property is applied to the fullest extent, and any offence against that property is punished with the utmost rigour of the law. A husband who finds another man in his harem is allowed to put him to death. At Athens there is no pretence of ‘the sanctity of marriage’: the offence and the punishment is the same whether the intrigue is with the master’s wife or with his concubine: each is equally the master’s property, to be protected at any cost. It is a more heinous crime to make love to a woman who belongs to another man than to offer her violence ”

“ The ancient belief that Euripides was a misogynist is still sometimes held, and such a misconception is not altogether our own fault. It is partly due to Euripides himself, for the poet’s favourite weapon is irony, and irony is a double-edged sword which can be turned against those who dare to use it. Euripides does not say plainly and straightforwardly ‘You men think yourselves naturally superior to women: braver, more truthful, more unselfish: in reality this superiority is a mere figment of your imagination.’ Neither the poet nor his audience would have cared for such brutal frankness. ”

“ XII.—The Attic Orators
To turn from Plato’s ideal State to the actual condition of woman’s life during the fourth century in Athens, as we have it revealed in the pages of the orators, is like passing from a breezy hillside into a dark, close-shut room. We see the working of the harem system, with all its atmosphere of secrecy and suspicion. The women are closely watched; for it is presumed that they will be unfaithful to their husbands if they can: they live secluded in the women’s quarter of the house—the gynæconitis—and for any strange man to enter their rooms is a grave impropriety. ”

“ A dramatist must share—imaginatively at least—in his characters’ thoughts; and women like Clytemnestra and Electra were so beyond the range of Sophocles’ experience and sympathy that he is quite unable to make them live. Like everything that Sophocles wrote, the Electra is full of literary accomplishment. The epic method, for example, is most ingeniously adapted to the theatre, and a vivid narrative of the chariot race in which Orestes is supposed to meet his death forms the centre of the play, but there is no real grip on the dramatic situation: it is literature, not life. ”

“ When we see her again she is a bitter woman, more sensible, indeed, than the simple girl, but infinitely less lovable. Her thoughts are all of vengeance: against Menelaus, against Helen, against mankind. ”

“ Having thus justified slavery to his own satisfaction, Aristotle proceeds to deal with household management, which he subdivides into three parts: the rule of a master over slaves, of a father, and of a husband:
A husband and a father rules over wife and children, both free, but the rule differs: over his children it is a royal, over his wife a constitutional rule. For, although there may be exceptions to the order of nature, the male is by nature fitter for command than the female, just as the elder and full-grown is superior to the younger and more immature. ”

“ Herodotus is really animated by an ardent patriotism and a genuine love of liberty. ‘Isonomy,’ he says—and many English race-goers will agree with him—‘the very sound of the word is most excellent.’ But it must be remembered that his patriotism is for males only, and that his equality before the law is an equality from which women were shut out; for even Plato makes isonomy between men and women the last and almost incredible stage of democratic licence. ”

“ The Athenian, however, with all his faults was a genuine lover of freedom, and did not care for slaves. Neither his wife nor the flute-girls, whose charms could be bought by any bidder, could really satisfy him, strange mixture that he was of sensuality and intellect. The only women whose company he desired were those called, half in jest, half in earnest, the Hetairai, ‘the close companions,’ the same word being used for those political associations which formed the closest link between man and man. ”

“ Once upon a time a middle-aged man—not young, but not yet old, his hair a mixture of black and white—feeling that he still had leisure for love and merriment, took two mistresses, one young, one old. Now the young woman wanted to see in her lover a young man, the old dame desired some one as old as herself. ”

“ Her features are shamefully ugly; such a woman, as she walks through a town, is a mockery to all men. She has a short neck, and moves with difficulty; she has no buttocks, her legs are all bone. Alas for the poor wretch who holds such an evil thing in his arms! But as for guile and tricks, she knows them all, and like a monkey she does not mind being laughed at. She never renders anyone a service, but all day long this is what she is seeking and looking for—how to do some one as much harm as she can. ”

“ He probably would have agreed with his hero Pericles, ‘a woman’s highest glory is not to fall below the standard of such natural powers as she possesses: that woman is best of whom there is the least talk among men, whether in the way of praise or blame.’
In his indifference the historian faithfully follows the example of the statesman. Pericles, of whose mistress, Aspasia, we hear so much, and of whose wife, the mother of his sons, we hear so little, appears never to have considered the part that nature has assigned to women in the creation and management of a state. ”

“ It is a significant incident, charmingly related by Xenophon, but not altogether charming in itself, although the humorous irony of Socrates may hide from careless readers all the darker sides of the picture. But Socrates himself is entirely lovable. There is nothing furtive, nothing patronising in the philosopher’s attitude. He behaves to Theodotë as he would behave to every one. He admires her beauty, and, like Goldsmith, recognises that a beautiful woman is a benefactress to mankind. ”

“ Alcestis is a saint: Medea—to some people—a devil.
Medea is certainly not meant to be a pleasant character. She has laboured too long under a sense of injustice to be pleasant either in her thoughts or behaviour. ‘You are always abusing the government;’ Jason says to her, ‘and so you will have to be ejected.’ She expresses the revolt of women in its bitterest form. ‘Of all things that draw breath,’ she cries, ‘and have understanding, we women are the most miserable; we are merely a thing that exists. ”

“ If the sensitive soul is not present, the body is no better than a corpse, and this sensitive soul is supplied only by the male. The female provides the material, the male fashions it; the body is from the female, the soul from the male, who can stand outside the body just as the artist stands outside his creation. It certainly seems that female children progress more quickly than male, but that is merely a proof of their inferiority; for all inferior things come sooner to their perfection or end, and as this is true of works of art so it is true of what is formed by nature. ”

“ For many centuries in Ionia and Athens there was an almost open state of sex-war. At Miletus a woman never sat at table with her husband, for he was the enemy with whom bread must not be broken; [2] at Athens, while all the men went free, women were kept as slaves, and a stranger in the harem might be killed at sight. The sexes were sharply separated: men and women had but few opportunities for mutual esteem and affection, and domestic life—the life of the home, the wife and the children—was poisoned at its source. ”

“ The result of many centuries of self-suppression, it gives a certain aggravating charm to the female mind, and usually does no particular harm. But it is, perhaps, the chief reason of women’s comparative failure in literature. Sincerity in writing is the saving grace, and if a book is not frank, it should never be written. Few women authors resemble Sappho, or Jane Austen, or Mme. Colette in contemporary French literature, who, unlike though they are in the circumstances of their lives, do all make a serious attempt at truth. Most women fail in frankness towards themselves and their readers. ”

“ In Aristotle’s time, for reasons which this brief survey of Greek literature has, perhaps, made plain, the facts of women’s nature were certainly not sufficiently comprehended. Euripides and Plato are almost the only authors who show any true appreciation of a woman’s real qualities, and to Euripides and Plato, Aristotle, by the whole trend of his prejudices, was opposed. His mistake was that he failed to realise the moral aspects of feminism. A nation that degrades its women will inevitably suffer degradation itself. ”

“ Pitiable is the man who falls into the hands of women: they bite and bite until they strip him to the bone.
So in the fable of the lion who falls in love with a maiden, the noble animal strips himself of claws and teeth, and everything that makes him formidable, to please the girl, and for his reward is beaten to death. ”

“ She is filled with fury, like a bitch guarding her cubs: savage to all alike, friends and foes, detestable. Even so the sea often stands quiet and harmless, a joy to sailors in the summer tide, and often again is driven to madness by the thunderous waves. It is to the sea that such a woman is most like. ”