Summary

Portrait of F. Anstey F. Anstey Puppets at Large: Scenes and Subjects from Mr Punch's Show

The Dutch Doll is to be my bridesmaid, and the Wooden Captain (who was only away on sick leave, after all) is coming up to be best man. I have seen the poor old Ball, and told him there will always be a corner for him in our new home. I am very, very happy. To think that Joseph should still care for his poor Gloriana, altered and homely as her once lovely features have now become! But Joseph (who is leaning over my shoulder and reading every word I write) stops me here to assure me that I am lovelier than ever in his eyes.
Source: Gutenberg

Portrait of F. Anstey F. Anstey Puppets at Large: Scenes and Subjects from Mr Punch's Show

Thank goodness, it was only a dream—for here I am, in the same old nursery again! Not all a dream, either—or my pony-carriage would scarcely present such a damaged appearance. The accident was real. Then what—what has become of Joseph? I must find him—I must make him understand that I repent—that, for the future, I intend to be a changed doll!
September.—Still searching for Joseph. No trace of him. I seem to be a changed doll in more ways than one. My former set knows me not. The Ninepins do not stagger when I smile at them now
Source: Gutenberg

Portrait of F. Anstey F. Anstey Puppets at Large: Scenes and Subjects from Mr Punch's Show

He is an elderly amiable little Dutchman in a soft felt hat; his name is Bosch, and he is taking me about. Why I engaged him I don't quite know—unless from a general sense of helplessness in Holland, and a craving for any kind of companionship. Now I have got him, I feel rather more helpless than ever—a sort of composite of Sandford and Merton, with a didactic, but frequently incomprehensible Dutch Barlow. My Sandford half would like to exhibit an intelligent curiosity, but is generally suppressed by Merton, who has a morbid horror of useful information.
Source: Gutenberg

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