G. K. Chesterton

G. K. Chesterton

Summary

Portrait of G. K. Chesterton G. K. Chesterton Fancies versus fads

It is the idea that, at the back of everything, existence begins with a harmony and not a chaos; and, therefore, when we really spread our wings and find a wider freedom, we find it in something more continuous and recurrent, and not in something more fragmentary and crude. Freedom is fullness, especially fullness of life; and a full vessel is more rounded and complete than an empty one, and not less so. To vary Browning’s phrase, we find in prose the broken arcs, in poetry the perfect round. Prose is not the freedom of poetry; rather prose is the fragments of poetry.
Source: Gutenberg

Portrait of G. K. Chesterton G. K. Chesterton Fancies versus fads (1923)

To have one slave reveals all the meanness of slavery. For the solitary flunkey really is the man in fancy dress, the man standing in the back-garden in the strange and the fantastic coat and breeches. His isolation reveals our illusion. We find our failure in the back-garden, when we have been dreaming a dream of success in the market-place. When you ride through the streets amid a great mob of vassals (you may have noticed) you have a genial and not ungenerous sense of being at one with them all.
Source: Wikisource

Portrait of G. K. Chesterton G. K. Chesterton Fancies versus fads

I have admitted that rhyme is a toy and even a trick, of the sort that delights children. I have admitted that every rhyme is a nursery rhyme. What I will never admit is that anyone who is too big for the nursery is big enough for the Kingdom of God, though the God were only Apollo.
A good critic should be like God in the great saying of a Scottish mystic. George Macdonald said that God was easy to please and hard to satisfy. That paradox is the poise of all good artistic appreciation. Without the first part of the paradox appreciation perishes, because it loses the power to appreciate.
Source: Gutenberg

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