George Albert Cooke

Summary

George Albert Cooke 1911 Encyclopædia Britannica (1911)

It cannot, however, be taken seriously as an account of genuine Phoenician beliefs. For Sanchuniathon is a mere literary fiction; and Philo's treatment is vitiated by an obvious attempt to explain the whole system of religion on the principles of Euhemerus, an agnostic who taught the traditional mythology as primitive history, and turned all the gods and goddesses into men an women; and further by a patriotic desire to prove that Phoenicia could outdo Greece in the venerable character of its traditions, that in fact Greek mythology was simply a feeble and distorted version of the Phoenician.
Source: Wikisource

George Albert Cooke 1911 Encyclopædia Britannica (1911)

During the Macedonian period Greek influences had been steadily gaining ground in Phoenicia; relations with the Greek world grew closer, the native language fell into disuse, and from the beginning of the Roman occupation Greek appears regularly in inscriptions and on coins, though on the latter Phoenician legends do not entirely vanish till the 2nd century A.D.; while the extent to which Hellenic ideas penetrated the native traditions and mythologies is seen in the writings of Philo of Byblus. For the purposes of everyday life, however, the people spoke not Greek, but Aramaic.
Source: Wikisource

George Albert Cooke 1911 Encyclopædia Britannica (1911)

Throughout these periods works of art, such as statues of the gods and sarcophagi, were imported direct at first from Egypt and afterwards mainly from Rhodes. The oldest example of native sarcophagi are copied from Egyptian mummy-cases, painted with colours and ornamented with carvings in low relief; towards and during the Greek period the contours of the body be in to be marked more clearly on the cover. The finest sarcophagi that have been found in the necropolis of Sidon (now in the Imperial Museum, Constantinople) are not Phoenician at all, but exquisite specimens of Greek art.
Source: Wikisource

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