Summary

Portrait of Harriet Beecher Stowe Harriet Beecher Stowe Flowers and fruit from the writings of Harriet Beecher Stowe (1888)

The effect of such scenery to our generally sleeping and drowsy souls, bound with a double chain of earthliness and sin, is like the electric touch of the angel on Peter, bound and sleeping. They make us realize that we were not only made to commune with God, but also what a God He is with whom we may commune. We talk of poetry, we talk of painting, we go to the ends of the earth to see the artists and great men of this world; but what a poet, what an artist, is God! Truly said Michel Angelo, “The true painting is only a copy of the divine perfections—a shadow of his pencil.”
Source: Gutenberg

Portrait of Harriet Beecher Stowe Harriet Beecher Stowe Flowers and fruit from the writings of Harriet Beecher Stowe (1888)

No real artist or philosopher ever lived who has not at some hours risen to the height of utter self-abnegation for the glory of the invisible. There have been painters who would have been crucified to demonstrate the action of a muscle,—chemists who would gladly have melted themselves and all humanity in their crucible, if so a new discovery might arise out of its fumes. Even persons of mere artistic sensibility are at times raised by music, painting, or poetry, to a momentary trance of self-oblivion, in which they would offer their whole being before the shrine of an invisible loveliness....
Source: Gutenberg

Portrait of Harriet Beecher Stowe Harriet Beecher Stowe Flowers and fruit from the writings of Harriet Beecher Stowe (1888)

When a man has once lost that unconscious soul-purity which exists in a mind unscathed by the fires of passion, no after-tears can weep it back again. No penance, no prayer, no anguish of remorse, can give back the simplicity of a soul that has never been stained.
The strongest passions.
No passions are deeper in their hold, more pervading and more vital to the whole human being, than those that make their first entrance through the higher nature, and, beginning with a religious and poetic ideality, gradually work their way through the whole fabric of the human existence.
Source: Gutenberg

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