Summary

Henry Hiram Riley The Puddleford Papers; Or, Humors of the West

It had its divisions in society, its importance, its pomp and show, and relatively speaking, its aristocracy. It played through the same farce in a small way that larger places do on a more extended plan. Longbow felt just as omnipotent, walking up and down the streets of Puddleford, as the tallest grandee treading a city pavement. The scale of greatness was not as long in his village, but he stood as high on it as any other man in the world on his—and so long as he headed his own scale, it mattered but little to him where the "rest of mankind" were.
Source: Gutenberg

Henry Hiram Riley The Puddleford Papers; Or, Humors of the West

Looking back from a new country, where all is confusion, to an old one, where figures have the stability of a painting, objects which were once trivial start out upon the canvas in bolder relief. The venerable, gray-headed pastor, who appeared regularly in the village pulpit for half a century, to impart the word of life, rises in the memory, and stands fixed there, like a statue. The quaint cut of his coat, the neat tie of his neckcloth, the spectacles resting on the tip of his nose, his hums and haws, his eye of reproof, his gestures of vengeance, are now living things—are preaching still.
Source: Gutenberg

Henry Hiram Riley The Puddleford Papers; Or, Humors of the West

What to the pioneer is the memory of that church steeple that flung its long shadow over his boyhood, around whose vane the swallows whirled, and the evening sun lingered?—that bell that swung high therein?—the torrent that roared through his early years, and wove its music into his very being?—the lone cliff, where the cloud slept and the eagle rested? These all are a part of the man himself; and when he is torn from them, his very nature receives a shock, and he has lost, he hardly knows how or where, a portion of his very existence.
Source: Gutenberg

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