Summary

Portrait of Henry Rogers Henry Rogers Reason and Faith; Their Claims and Conflicts

Each new proof of design, therefore, is not a solitary fact; but one which entering as another element into a most complex machinery, indefinitely multiplies the combinations, in any one of which chance might have gone astray. From this infinite array of proofs of design, it seems to man's reason, in ordinary moods, stark madness to account for the phenomena of the universe upon any other supposition than that which docs account, and can alone account, for them all,—the supposition of a Presiding Intelligence, illimitable alike in power and in wisdom.
Source: Gutenberg

Portrait of Henry Rogers Henry Rogers Reason and Faith; Their Claims and Conflicts

The secret harmonies of Nature vibrate on his ear, and her fair proportions reveal themselves to his eye. He has a deep faith in the truth of God.' (P. 146.) 'The inspired man is one whose outward life derives all its radiance from the light within him. He walks through stony places by the light of his own soul, and stumbles not. No human motive is present to such a mind in its highest exultation—no love of praise—no desire of fame—no affection, no passion mingles with the divine afflatus, which passes over without ruffling the soul.' (P. 44.)
Source: Gutenberg

Portrait of Henry Rogers Henry Rogers Reason and Faith; Their Claims and Conflicts

Power, Wisdom, and Knowledge, so unlimited as to embrace at once all things, and all their relations, actual and possible,—this 'unlimited' expanding into a dim apprehension of the 'infinite';—of infinitude of attributes, omnipresent in every point of space, and yet but one and not many infinitudes;—let him once humbly ponder such incomprehensible difficulties as these, and he will soon feel that though in the argument from design, there seemed but one vast scene of triumph for his reason, there is as large a scene of exertion left for his faith.
Source: Gutenberg

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