Summary

Portrait of John Henry Newman John Henry Newman An Essay in Aid of a Grammar of Assent

I gaze on the Palatine Hill, or on the Parthenon, or on the Pyramids, which I have read of from a boy, or upon the matter-of-fact reality of the sacred places in the Holy Land, and I have to force my imagination to follow the guidance of sight and of reason. It is to me so strange that a lifelong belief should be changed into sight, and things should be so near me, which hitherto had been visions.
Source: Gutenberg

Portrait of John Henry Newman John Henry Newman An Essay in Aid of a Grammar of Assent

Is what we call the law of death anything more than the chance of disease? Is the prospect of my death, in its logical evidence,—as that evidence is brought home to me—much more than a high probability?
The strongest proof I have for my inevitable mortality is the reductio ad absurdum. Can I point to the man, in historic times, who has lived his two hundred years? What has become of past generations of men, unless it is true that they suffered dissolution?
Source: Gutenberg

Portrait of John Henry Newman John Henry Newman An Essay in Aid of a Grammar of Assent

His image, as in the hour of his deepest humiliation, is triumphantly displayed in the proud city, in the open country, in the corners of streets, on the tops of mountains. It sanctifies the ancestral hall, the closet, and the bedchamber; it is the subject for the exercise of the highest genius in the imitative arts. It is worn next the heart in life; it is held before the failing eyes in death. Here, then, is One who is not a mere name, who is not a mere fiction, who is a reality.
Source: Gutenberg

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