Honoré de Balzac

“ Does not Society imitate God? At the sight of a soldier we can predict that he will fight; of a lawyer, that he will talk; of a shoemaker, that he shall make shoes or boots; of a worker of the soil, that he shall dig the ground and dung it; and is it a more wonderful thing that such an one with the "seer's" gift should foretell the events of a man's life from his hand?
To take a striking example. Genius is so visible in a man that a great artist cannot walk about the streets of Paris but the most ignorant people are conscious of his passing. ”

“ The practical details of the care of the dead bewildered Schmucke, till he was fain to die with his friend.
"He is a child," said the doctor, turning to the Abbe Duplanty.
"Ein child," Schmucke repeated mechanically.
"There, then," said the curate; "I will speak to Mme. Cantinet, and send her to you."
"Do not trouble yourself," said the doctor; "I am going home, and she lives in the next house."
The dying seem to struggle with Death as with an invisible assassin; in the agony at the last, as the final thrust is made, the act of dying seems to be a conflict, a hand-to-hand fight for life. ”

“ To understand the sudden intimacy between the old musician and Mme. Cibot, you have only to imagine the position of an old bachelor lying on his bed of pain, seriously ill for the first time in his life. Pons felt that he was alone in the world; the days that he spent by himself were all the longer because he was struggling with the indefinable nausea of a liver complaint which blackens the brightest life. Cut off from all his many interests, the sufferer falls a victim to a kind of nostalgia; he regrets the many sights to be seen for nothing in Paris. ”

“ Pons, like his rival competitor and antagonist, felt in his heart an insatiable craving after specimens of the craftsman's skill and miracles of workmanship; he loved them as a man might love a fair mistress; an auction in the salerooms in the Rue des Jeuneurs, with its accompaniments of hammer strokes and brokers' men, was a crime of lese-bric-a-brac in Pons' eyes. Pons' museum was for his own delight at every hour; for the soul created to know and feel all the beauty of a masterpiece has this in common with the lover—to-day's joy is as great as the joy of yesterday; possession never palls ”

“ Dear, indeed, the dead must have been in their lifetime if relative or friend will go with them so far as the cemetery in this Paris, where every one would fain have twenty-five hours in the day. But with the coachmen it is different; they lose their tips if they do not make the journey; so, empty or full, the mourning coaches go to the church and cemetery and return to the house for gratuities. A death is a sort of drinking-fountain for an unimagined crowd of thirsty mortals. ”

“ And Magus himself was a living picture among the motionless figures on the wall—a little old man, dressed in a shabby overcoat, a silk waistcoat, renewed twice in a score of years, and a very dirty pair of trousers, with a bald head, a face full of deep hollows, a wrinkled, callous skin, a beard that had a trick of twitching its long white bristles, a menacing pointed chin, a toothless mouth, eyes bright as the eyes of his dogs in the yard, and a nose like an obelisk—there he stood in his gallery smiling at the beauty called into being by genius. ”

“ I put M. Schmucke first—”
“M. Schmucke! there is a heart for you,” cried La Cibot. “Ah! he loves me, but then he is poor. It is money that deadens the heart; and you are rich! Oh, well, take a nurse, you will see what a life she will lead you; she will torment you, you will be like a cockchafer on a string. The doctor will say that you must have plenty to drink, and she will do nothing but feed you. She will bring you to your grave and rob you. You do not deserve to have a Mme. Cibot!—there! When Dr. Poulain comes, ask him for a nurse.”
“Oh fiddlestickend!” the patient cried angrily. ”

“ Let two schoolfellows meet after twenty years, the rich man will avoid the poor; he does not recognize him, he is afraid even to glance into the gulf which Fate has set between him and the friend of other years. The one has been borne through life on the mettlesome steed called Fortune, or wafted on the golden clouds of success; the other has been making his way in underground Paris through the sewers, and bears the marks of his career upon him. How many a chum of old days turned aside at the sight of the doctor’s greatcoat and waistcoat! ”

“ A single symptom will throw light upon this case of nostalgia (as it were) produced by breaking away from an old habit; in itself it is trifling, one of the myriad nothings which are as rings in a coat of chain-mail enveloping the soul in a network of iron. One of the keenest pleasures of Pons' old life, one of the joys of the dinner-table parasite at all times, was the "surprise," the thrill produced by the extra dainty dish added triumphantly to the bill of fare by the mistress of a bourgeois house, to give a festal air to the dinner. ”

“ The briefless barrister, the doctor without a patient, are pre-eminently the two types of a decorous despair peculiar to this city of Paris; it is mute, dull despair in human form, dressed in a black coat and trousers with shining seams that recall the zinc on an attic roof, a glistening satin waistcoat, a hat preserved like a relic, a pair of old gloves, and a cotton shirt. The man is the incarnation of a melancholy poem, sombre as the secrets of the Conciergerie. ”

“ Automatically she scattered millet for Cleopatre, took up the pack of cards, shuffled them convulsively, and held them out to Mme. Cibot to cut, sighing heavily all the time. At the sight of that image of Death in the filthy turban and uncanny-looking bed-jacket, watching the black fowl as it pecked at the millet-grains, calling to the toad Astaroth to walk over the cards that lay out on the table, a cold thrill ran through Mme. Cibot; she shuddered. Nothing but strong belief can give strong emotions. An assured income, to be or not to be, that was the question. ”

“ Every one remarked the splendor of the white funeral car, with a big embroidered P suspended on a hatchment, and the one solitary mourner behind it; while the cheap bier that came after it was followed by an immense crowd. Happily, Schmucke was so bewildered by the throng of idlers and the rows of heads in the windows, that he heard no remarks and only saw the faces through a mist of tears.
"Oh, it is the nutcracker!" said one, "the musician, you know—"
"Who can the pall-bearers be?"
"Pooh! play-actors."
"I say, just look at poor old Cibot's funeral. There is one worker the less. What a man! ”

“ There was a long pause.
"God so willed it that life has not been as I dreamed," Pons resumed. "I should so have loved wife and children and home. . . . To be loved by a very few in some corner—that was my whole ambition! Life is hard for every one; I have seen people who had all that I wanted so much and could not have, and yet they were not happy. . . . Then at the end of my life, God put untold comfort in my way, when He gave me such a friend. . . . And one thing I have not to reproach myself with—that I have not known your worth nor appreciated you, my good Schmucke. ”

“ The London “eccentric” always finds that worship, like life, brings weariness and satiety in the end; the Parisian monomaniac lives cheerfully in concubinage with his crotchet to the last.
Often shall you meet in Paris some Pons, some Elie Magus, dressed badly enough, with his face turned from the rising sun (like the countenance of the perpetual secretary of the Academie) , apparently heeding nothing, conscious of nothing, paying no attention to shop-windows nor to fair passers-by, walking at random, so to speak, with nothing in his pockets, and to all appearance an equally empty head. ”

“ During the uproar that usually marks the end of a first night, the flute delivered his invitation to the conductor. Pons accepted gleefully; and, for the first time in three months, Schmucke saw a smile on his friend’s face. They went back to the Rue de Normandie in perfect silence; that sudden flash of joy had thrown a light on the extent of the disease which was consuming Pons. Oh, that a man so truly noble, so disinterested, so great in feeling, should have such a weakness!... This was the thought that struck the stoic Schmucke dumb with amazement. ”

“ Mother and daughter exchanged cold, contemptuous glances.—“What an oddity!” they seemed to say.
“So it amuses you?” remarked Mme. de Marville. The question sent a cold chill through Pons; he felt a strong desire to slap the Presidente.
“Why, my dear cousin, that is the way to hunt down a work of art. You are face to face with antagonists that dispute the game with you. It is craft against craft! A work of art in the hands of a Norman, an Auvergnat, or a Jew, is like a princess guarded by magicians in a fairy tale.” ”

“ Then Gluttony, the sin of the continent monk, beckoned to Pons; he rushed upon temptation, as he had thrown his whole soul into the adoration of art and the cult of music. Good cheer and bric-a-brac gave him the small change for the love which could spend itself in no other way. As for music, it was his profession, and where will you find the man who is in love with his means of earning a livelihood? For it is with a profession as with marriage: in the long length you are sensible of nothing but the drawbacks. ”

“ Mme. Cibot, sometime opener of oysters at the Cadran Bleu, after all the adventures which come unsought to the belle of an oyster-bar, left her post for love of Cibot at the age of twenty-eight. The beauty of a woman of the people is short-lived, especially if she is planted espalier fashion at a restaurant door. Her features are hardened by puffs of hot air from the kitchen; the color of the heeltaps of customers’ bottles, finished in the company of the waiters, gradually filters into her complexion—no beauty is full blown so soon as the beauty of an oyster-opener. ”

“ You are as guileless and simple as a six-year-old child that has never left its mother; one honors you for it—it seems to me that God Himself must watch over such as you. But men are so wicked, that I ought to warn you beforehand... and then you will lose your generous trust, your saint-like belief in others, the bloom of a purity of soul that only belongs to genius or to hearts like yours.... In a little while you will see Mme. Cibot, who left the door ajar and watched us closely while M. Trognon was here—in a little while you will see her come for the will, as she believes it to be.... ”

“ In the very beginning, when I saw how you were with M. Schmucke, I said to myself, ‘M. Pons has missed the life he was meant for; he was made to be a good husband.’ Come, now, you like women.”
“Ah, yes,” said Pons, “and no woman has been mine.”
“Really?” exclaimed La Cibot, with a provocative air as she came nearer and took Pons’ hand in hers. “Do you not know what it is to love a woman that will do anything for her lover? Is it possible? If I were in your place, I should not wish to leave this world for another until I had known the greatest happiness on earth!... ”

“ Poor man, you never saw any one so disconsolate! Ah! you are quite right to leave everything to him. Dear worthy man, why he is as good as a family to you, he is! Do not forget him; for if you do, God will not receive you into his Paradise, for those that have been ungrateful to their friends and left them no rentes will not go to heaven."
In vain Pons tried to put in a word; La Cibot talked as the wind blows. Means of arresting steam-engines have been invented, but it would tax a mechanician's genius to discover any plan for stopping a portress' tongue. ”

“ No one cared to know the composer’s name; like occupants of the baignoires, lost to view of the house, to gain a view of the stage, Pons and Schmucke eclipsed themselves by their success. In Paris (especially since the Revolution of July) no one can hope to succeed unless he will push his way quibuscumque viis and with all his might through a formidable host of competitors; but for this feat a man needs thews and sinews, and our two friends, be it remembered, had that affection of the heart which cripples all ambitious effort. ”

“ Have a nurse in here to-day, and to-morrow we should find a picture or something or other gone—”
“Oh! Mme. Cibot!” cried Pons, quite beside himself, “do not leave me! No one must touch anything—”
“I am here,” said La Cibot; “so long as I have the strength I shall be here.—Be easy. There was Dr. Poulain wanting to get a nurse for you; perhaps he has his eye on your treasures. I just snubbed him, I did. ‘The gentleman won’t have any one but me,’ I told him. ‘He is used to me, and I am used to him.’ So he said no more. A nurse, indeed! They are all thieves; I hate that sort of woman, I do. ”

“ La Cibot wiped her eyes as she went back to the invalid's room.
"What is the matter, Mme. Cibot?" asked Pons.
"It is M. Schmucke that has upset me; he is crying as if you were dead," said she. "If you are not well, you are not so bad yet that nobody need cry over you; but it has given me such a turn! Oh dear! oh dear! how silly it is of me to get so fond of people, and to think more of you than of Cibot! ”

“ I have always wondered how he came to be in a theatre."
"Why, madame, the theatre is a house of correction for morals," said Gaudissart. "Poor Pons!—Upon my word, one ought to cultivate the species to keep up the stock. 'Tis a pattern man, and has talent too. When will he be able to take his orchestra again, do you think? A theatre, unfortunately, is like a stage coach: empty or full, it starts at the same time. Here at six o'clock every evening, up goes the curtain; and if we are never sorry for ourselves, it won't make good music. ”

“ And our society, rushing like a locomotive along its metaled track, is heedless of the all but imperceptible dust made by the grinding of the wheels; but it was otherwise with the two musicians; the invisible grains of sand sank perpetually into the very fibres of their being, causing them intolerable anguish of heart. Tender exceedingly to the pain of others, they wept for their own powerlessness to help; and their own susceptibilities were almost morbidly acute. Neither age nor the continual spectacle of the drama of Paris life had hardened two souls still young and childlike and pure ”