Isaac Disraeli

“ At the close of every century, in this growing world of books, may an Oldys be the reader for the nation! Should he be endowed with a philosophical spirit, and combine the genius of his own times with that of the preceding, he will hold in his hand the chain of human thoughts, and, like another Bayle, become the historian of the human mind! ”

“ My friend is, as is well known, a genius of that cast who could pass two hours in the Tower of Buffon, without being aware that he had been all that time occupied by suggestions of ideas and reveries, which in some minds such a locality may excite. He was also busied with his pencil; for he has favoured me with two drawings of the interior and the exterior of this old tower in the garden: the nakedness within can only be compared to the solitude without. Such was the studying-room of Buffon, where his eye, resting on no object, never interrupted the unity of his meditations on nature. ”

“ Hardouin was one of those wrong-headed men who, once having fallen into a delusion, whatever afterwards occurs to them on their favourite subject only tends to strengthen it. He died in his own faith! He seems not to have been aware that by ascribing such prodigal inventions as Plutarch, Thucydides, Livy, Tacitus, and other historians, to the men he did, he was raising up an unparalleled age of learning and genius when monks could only write meagre chronicles, while learning and genius themselves lay in an enchanted slumber with a suspension of all their vital powers. ”

“ DREAMS AT THE DAWN OF PHILOSOPHY. Modern philosophy, theoretical or experimental, only amuses while the action of discovery is suspended or advances; the interest ceases with the inquirer when the catastrophe is ascertained, as in the romance whose dénouement turns on a mysterious incident, which, once unfolded, all future agitation ceases. But in the true infancy of science, philosophers were as imaginative a race as poets: marvels and portents, undemonstrable and undefinable, with occult fancies, perpetually beginning and never ending, were delightful as the shifting cantos of Ariosto. ”

“ The life of a literary antiquary partakes of the nature of those who, having no concerns of their own, busy themselves with those of others. Oldys lived in the back ages of England; he had crept among the dark passages of Time, till, like an old gentleman usher, he seemed to be reporting the secret history of the courts which he had lived in. He had been charmed among their masques and revels, had eyed 499 with astonishment their cumbrous magnificence, when knights and ladies carried on their mantles and their cloth of gold ten thousand pounds’ worth of ropes of pearls, and buttons of diamonds ”

“ A proverb will often cut the knot which others in vain are attempting to untie. Johnson, palled with the redundant elegancies of modern composition, once said, “I fancy mankind may come in time to write all aphoristically, except in narrative; grow weary of preparation, and connexion, and illustration, and all those arts by which a big book is made.” Many a volume indeed has often been written to demonstrate what a lover of proverbs could show had long been ascertained by a single one in his favourite collections. ”

“ Your Dante Alighieri died in exile, to which you unjustly, envious of his greatness, destined him! A crime not to be remembered, that the mother should bear an envious malignity to the virtues of a son! Now cease to be unjust! He cannot do you that, now dead, which living he never did do to you! He lies under another sky than yours, and you never can see him again, but on that day, when all your citizens shall view him, and the great Remunerator shall examine, and shall punish! If anger, hatred, and enmity are buried with a man, as it is believed, begin then to return to yourself ”

“ THE ITALIAN HISTORIANS. It is remarkable that the country which has long lost its political independence may be considered as the true parent of modern history. The greater part of their historians have abstained from the applause of their contemporaries, while they have not the less elaborately composed their posthumous folios, consecrated solely to truth and posterity! The true principles of national glory are opened by the grandeur of the minds of these assertors of political freedom. ”

“ Why not rather imitate the acts of those cities who so keenly disputed merely for the honour of the birth-place of the divine Homer? Mantua, our neighbour, counts as the greatest fame which remains for her, that Virgil was a Mantuan! and holds his very name in such reverence, that not only in public places, but in the most private, we see his sculptured image! You only, while you were made famous by illustrious men, you only have shown no care for your great poet. ”

“ I shall not dwell on the pangs of the queen for the fate of William—or her deadly suspicions that many were unfaithful about her; a battle lost might have been fatal; a conspiracy might have undone what even a victory had obtained; the continual terrors she endured were such, that we might be at a loss to determine who suffered most, those who had been expelled from, or those who had ascended the throne. ”

“ Vain attempts to circumscribe that invisible circle of human knowledge which is perpetually enlarging itself! The multiplicity of books is an evil for the many; for we now find an helluo librorum not only among the learned, but, with their pardon, among the unlearned; for those who, even to the prejudice of their health, persist only in reading the incessant book-novelties of our own time, will after many years acquire a sort of learned ignorance. ”

“ But this religious age of Charles the First presents a strange contrast with the licentiousness which subsequently prevailed among the people: there seems to be a secret connexion between a religious and an irreligious period: the levity of popular feeling is driven to and fro by its reaction; when man has been once taught to contemn his mere humanity, his abstract fancies open a secret bye-path to his presumed salvation; he wanders till he is lost—he trembles till he dotes in melancholy—he raves till truth itself is no longer immutable. ”

“ If some have foolishly enough imagined that the sedentary lives of authors are void of interest from deficient incident and interesting catastrophe, what must they think of the barren labours of those who, in the degree they become eminent, to use their own style, in the art of “dish, dash, long-tail fly,” the less they become interesting to the public; for what can the most skilful writing-master do but wear away his life in leaning over his pupil’s copy, or sometimes snatch a pen to decorate the margin, though he cannot compose the page? ”

“ The fate of Rawleigh soon verified the prediction.
This long narrative of treachery will not, however, be complete, unless we wind it up with the fate of the infamous Stucley. Fiction gives perfection to its narratives, by the privilege it enjoys of disposing of its criminals in the most exemplary manner; but the labours of the historian are not always refreshed by this moral pleasure. Retribution is not always discovered in the present stage of human existence, yet history is perhaps equally delightful as fiction, whenever its perfect catastrophes resemble those of romantic invention. ”

“ Of that self-creation for which he was so much abused in his own day as to have lost his real avocation as an architect, and stands condemned for posterity in the volatile bitterness of Lord Orford, nothing is left for us but our own convictions—to behold, and to be for ever astonished!—But “this voluminous correspondence?” Alas! the historian of war and politics overlooks with contempt the little secret histories of art and of human nature!—and “a voluminous correspondence” which indicates so much, and on which not a solitary idea is bestowed, has only served to petrify our curiosity! ”

“ The merchant’s clerk will not write like the lawyer or the poet. Even nations are distinguished by their writing; the vivacity and variableness of the Frenchman, and the delicacy and suppleness of the Italian, are perceptibly distinct from the slowness and strength of pen discoverable in the phlegmatic German, Dane, and Swede. When we are in grief, we do not write as we should in joy. The elegant and correct mind, which has acquired the fortunate habit of a fixity of attention, will write with scarcely an erasure on the page, as Fenelon, and Gray, and Gibbon ”

“ It will surprise some when they learn that the artists in verse and colours, poets and painters, have not raised loftier pretensions to the admiration of mankind. Writing-masters, or caligraphers, have had their engraved “effigies,” with a Fame in flourishes, a pen in one hand and a trumpet in the other; and fine verses inscribed, and their very lives written! They have compared
The nimbly-turning of their silver quill
to the beautiful in art and the sublime in invention; nor is this wonderful, since they discover the art of writing, like the invention of language, in a divine original ”

“ Thus the Hollanders long prided themselves on the humiliating nickname of “Les Gueux:” the protestants of France on the scornful one of the Huguenots; the non-conformists in England on the mockery of the puritan; and all parties have perpetuated their anger by their inglorious names. Swift was well aware of this truth in political history: “each party,” says that sagacious observer, “grows proud of that appellation which their adversaries at first intended as a reproach; of this sort were the Guelphs and the Ghibellines, Huguenots and Cavaliers.” ”

“ Balagny proceeded to Poland, where, under the veil of dissipation, and in the midst of splendid festivities, with his trusty adjutant, this hair-brained boy of revelry began to weave those intrigues which were afterwards to be knotted, or untied, by Montluc himself. He had contrived to be so little suspected, that the agent of the emperor had often disclosed important secrets to his young and amiable friend. On the death of Sigismond Augustus, Balagny, leaving Choisnin behind to trumpet forth the virtues of Anjou, hastened to Paris to give an account of all which he had seen or heard. ”

“ Many ingenious inventions have been contrived to give vent to their suppressed indignation. The voluminous grievance which they could not trust to the voice or the pen they have carved in wood, or sculptured on stone; and have sometimes even facetiously concealed their satire among the playful ornaments designed to amuse those of whom they so fruitlessly complained! Such monuments of the suppressed feelings of the multitude are not often inspected by the historian—their minuteness escapes all eyes but those of the philosophical antiquary ”

“ The democratic party in our constitution, from the meanest of motives, from their egotism, their vanity, and their audacity, hate kings; they would have an abstract being, a chimerical sovereign on the throne—like a statue, the mere ornament of the place it fills,—and insensible, like a statue, to the invectives they would heap on its pedestal!
The commons, with a fierce spirit of reaction for the king’s “punishing some insolent speeches,” at once sent up to the lords for the commitment of the duke!290 But when they learnt the fate of the patriots, they instantaneously broke up! ”

“ If by looking into the past, Rousseau found facts which sufficiently proved that nations in the height of their splendour and corruption had closed their career by falling an easy conquest to barbarous invaders, who annihilated the most polished people at a single blow; we now find that no such power any longer exists in the great family of Europe: the state of the question is therefore changed. It is now how corrupt nations will act against corrupt nations equally enlightened? ”

“ But the literature of Germany, of France, and of England has exceeded the multiplicity of the productions of Italy, and an appalling population of authors swarm before the imagination.235 Hail then the peaceful spirit of the literary historian, which sitting amidst the night of time, by the monuments of genius, trims the sepulchral lamps of the human mind! ”

“ Caramuel, a famous Spanish bishop, was a grand architect of words. Ingenious in theory, his errors were confined to his practice: he said a great deal and meant nothing; and by an exact dimension of his intellect, taken at the time, it appeared that “he had genius in the eighth degree, eloquence in the fifth, but judgment only in the second!” This great man would not read the ancients; for he had a notion that the moderns must have acquired all they possessed, with a good deal of their own “into the bargain.” ”

“ Italian literature is particularly rich in these stores. The lively proverbial taste of that vivacious people was transferred to their own authors; and when these allusions were obscured by time, learned Italians, in their zeal for their national literature, and in their national love of story-telling, have written grave commentaries even on ludicrous, but popular tales, in which the proverbs are said to have originated. They resemble the old facetious contes, whose simplicity and humour still live in the pages of Boccaccio, and are not forgotten in those of the Queen of Navarre. ”

“ An erudition of facts is not the philosophy of history; an historian unskilful in the art of applying his facts amasses impure ore, which he cannot strike into coin. The chancellor D’Aguesseau, in his instructions to his son on the study of history, has admirably touched on this distinction. “Minds which are purely historical mistake a fact for an argument; they are so accustomed to satisfy themselves by repeating a great number of facts and enriching their memory, that they become incapable of reasoning on principles. ”

“ SENTIMENTAL BIOGRAPHY. A periodical critic, probably one of the juniors, has thrown out a startling observation. “There is,” says this literary senator, “something melancholy in the study of biography, because it is—a history of the dead!” A truism and a falsity mixed up together is the temptation with some modern critics to commit that darling sin of theirs—novelty and originality! But we really cannot condole with the readers of Plutarch for their deep melancholy; we who feel our spirits refreshed, amidst the mediocrity of society, when we are recalled back to the men and the women who were! ”

“ In history the Restoration of Charles appears in all its splendour—the king is joyfully received at Dover, and the shore is covered by his subjects on their knees—crowds of the great hurry to Canterbury—the army is drawn up, in number and with a splendour that had never been equalled—his enthusiastic reception is on his birthday, for that was the lucky day fixed on for his entrance into the metropolis—in a word, all that is told in history describes a monarch the most powerful and the most happy. ”