Summary

Portrait of John Aikin John Aikin The Seasons — An Essay On the Plan and Character of Thomson's Seasons (1791)

Spring has been represented as the youth of the years—the season of pleasing hope, lively energy, and rapid increase. Summer has keen resembled to perfect manhood—the season of steady warmth, confirmed strength, and unremitting vigour. Autumn, which while it bestows the rich products of full maturity, is yet ever hastening to decline, has been aptly compared to that period, when the man, mellowed by age, yields the most valuable fruits of experience and wisdom, but daily exhibits increasing symptoms of decay.
Source: Wikisource

Portrait of John Aikin John Aikin The Seasons — An Essay On the Plan and Character of Thomson's Seasons (1791)

Objects so vast and magnificent as planets rolling with even pace through their orbits, comets rushing along their devious track, light springing from its unexhausted source, mighty rivers formed in their subterranean beds, do not require, or even admit, a heightening from the fancy. The most faithful pencil here produces the noblest pictures; and Thomson, by strictly adhering to the character of the poet of Nature, has treated all these topics with a true sublimity, which a writer of less knowledge and accuracy could never have attained.
Source: Wikisource

Portrait of John Aikin John Aikin The Seasons — An Essay On the Plan and Character of Thomson's Seasons (1791)

By an easy and natural transition, he quits the chastized summer of our temperate clime for those regions where a perpetual summer reigns, exalted by such superior degrees of solar heat as give an entirely new face to almost every part of Nature. The terrific grandeur prevalent in some of these, the exquisite richness and beauty in others, and the novelty in all, afford such a happy variety for the poet's selection, that we need not wonder if some of his noblest pieces are the product of this delightful excursion.
Source: Wikisource

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