John Joseph Knight

Summary

John Joseph Knight Dictionary of National Biography (1901)

Helen Faucit was the greatest interpreter of the poetical drama that living memory can recall. In later days, even when her face had lost some of its youthful charm, her performance of parts such as Rosalind and Imogen had gifts of imagination and expression which have not since been equalled. Testimony to the value and beauty of impersonations such as Antigone, Iolanthe, and the heroines generally of Bulwer, Browning, Westland Marston, and other modern dramatists is unanimously favourable. Warm admiration for her has been expressed by many of the principal men and women of her epoch.
Source: Wikisource

John Joseph Knight Dictionary of National Biography (1901)

During 1857–8 Matthew Arnold was very anxious for her to perform the chief part in ‘Merope,’ which he thought of putting on the stage. ‘In a tragedy of this kind,’ he wrote, ‘everything turns upon the nobleness, seriousness, and powers of feeling of the actor,’ and he added that, should she be unwilling to play the part of heroine, he would abandon his purpose altogether, which he ultimately did. She appeared at Drury Lane on 17 Oct. 1864 as Imogen. She also played Lady Macbeth there, and in the spring of 1865 Juliet and Rosalind.
Source: Wikisource

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