Summary

Portrait of John Morley John Morley Critical Miscellanies, Vol. 1, Essay 2…

Laughter has a fore-place in life. All this we may see and show that we see, and yet so throw it behind the weightier facts of nobleness and sacrifice, of the boundless gifts which fraternal union has given, and has the power of giving, as to kindle in every breast, not callous to exalted impressions, the glow of sympathetic endeavour, and of serene exultation in the bond that makes 'precious the soul of man to man.'
This renewal of moral energy by spiritual contact with the mass of men, and by meditation on the destinies of mankind, is the very reverse of Mr. Carlyle's method.
Source: Gutenberg

Portrait of John Morley John Morley Critical Miscellanies, Vol. 1, Essay 2…

Belief is the mood which emancipates us from the paralysing dubieties of distraught souls, and leaves us full possession of ourselves by furnishing an unshaken and inexpugnable base for action and thought, and subordinating passion to conviction. Labour, again, perhaps the cardinal article in the creed, is at once the price of moral independence, and the first condition of that fulness and accuracy of knowledge, without which we are not free, but the bounden slaves of prejudice, unreality, darkness, and error.
Source: Gutenberg

Portrait of John Morley John Morley Critical Miscellanies, Vol. 1, Essay 2…

In England, the greatest literary organ of the Revolution was unquestionably Byron, whose genius, daring, and melodramatic lawlessness, exercised what now seems such an amazing fascination over the least revolutionary of European nations. Unfitted for scientific work and full of ardour, Mr. Carlyle found his mission in rushing with all his might to the annihilation of this terrible poet, who, like some gorgon, hydra, or chimera dire planted at the gate, carried off a yearly tale of youths and virgins from the city. In literature, only a revolutionist can thoroughly overpower a revolutionist.
Source: Gutenberg

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