John Weeks Moore

Summary

John Weeks Moore Complete Encyclopaedia of Music… (1880)

Beethoven's troubles were all of that nature that he could escape from them into his inner world of art. They rather favored the creative impulse. Disappointed love, deafness, want of worldly tact, which, if it drew him into many dilemmas, also brought him exemption from many cares, and his proud, independent spirit, - these only made his abstraction from the outward world more complete, and increased his feeling of the greatness of his mission. Abstraction, entire devotion to his art, and living in music, is the key to all his peculiarities and eccentricities in his way of living.
Source: Wikisource

John Weeks Moore Complete Encyclopaedia of Music… (1880)

In his music he aspired to the Infinite. In his music he accomplished the great sacrifice of self, and displayed the heroic will by his resolute adherence to the theme, mastering and con-trolling his thronging inspirations. In his music was he always true, as in his life, compromising nothing for effect, for immediate success or comfort, but spending himself to give worthy utterance to holy and deep sentiments. In his music are the tenderest love, and energetic will, and loftiest aspiration, and purity and faith ; as he himself said, "The secret of all true art lies, after all, in the moral."
Source: Wikisource

John Weeks Moore Complete Encyclopaedia of Music… (1880)

Let his deafness convince those, who are spiritually deaf to his works, that music is more a thing of the soul than of the sense!
In the last twelve or thirteen years of his life, Beethoven was subjected to calamities, which served not so much to abstract him from the world as to distract him altogether. He was forced into relations with the practical side of life, and with the selfishness of the world, which he knew how to renounce, but to engage in which, unfitted as he was, could only craze and bewilder him.
Source: Wikisource

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