Lord Henry Home Kames, Elements of Criticism, Volume II
“ Unhappy is the player of genius who acts a capital part in what may be termed a descriptive tragedy. After he has assumed the very passion that is to be represented, how must he be cramped in his action, when he is forced to utter, not the sentiments of the passion he feels, but a cold description in the language of a by-stander? It is this imperfection, I am persuaded, in the bulk of our plays, that confines our stage almost entirely to Shakespear, his many irregularities notwithstanding. In our latest English tragedies, we sometimes find sentiments tolerably well adapted to a plain passion. ”
