Louise Imogen Guiney

Louise Imogen Guiney

Summary

Portrait of Louise Imogen Guiney Louise Imogen Guiney A Little English Gallery

Bennet Langton, as Mr. Forster expresses it in his noble Life of Goldsmith, was “an eminent example of the high and humane class who are content to ‘ring the bell’ to their friends.” He was a mild young visionary, scrupulous, tolerant, and generous in the extreme; modest, contemplative, averse to dissipation; a perfect talker and reader, and a perfect listener; with a face sweet as a child’s, fading but now, among his kindred, on the canvas of Sir Joshua Reynolds. He left a gracious memory behind at Oxford, where his musing bust adorns the old monastic library of Trinity.
Source: Gutenberg

Portrait of Louise Imogen Guiney Louise Imogen Guiney A Little English Gallery

With what unction, from an actor’s lips, falls his manifold and glowing praise of theatres! What a pretty picture, a broad wash of rose-purple and white, he can make of the interior seen from the wings! “There’s such a hurry of pleasure to transport us; the bustle, noise, gallantry, equipage, garters, feathers, wigs, bows, smiles, ogles, love, music, and applause!” And again, in another mood: “The playhouse is the element of poetry, because the region of beauty; the ladies, methinks, have a more inspiring, triumphant air in the boxes than anywhere else.
Source: Gutenberg

Portrait of Louise Imogen Guiney Louise Imogen Guiney A Little English Gallery

A philosopher and a truth-teller, whatever his worldly weaknesses, was sure to be a character within the range of Johnson’s affections. It was he who most troubled the good Doctor, he for whom he suffered in silence, with whom he wrangled; he whose insuperable taunting promise, never reaching any special development, vexed and disheartened him; yet, perhaps because of these very things, though Bennet Langton was infinitely more to his mind, it was Absalom, once again, whom the old fatherly heart loved best.
Source: Gutenberg

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