Summary

Various Punch, or the London Charivari…

Sir Yutely Taryan, K.C.V.O., speaking for his own Government Department, said that in his opinion a great deal of [pg 259] nonsense was talked about art, both its educational value and its power of giving pleasure. Speaking for himself, even in normal times, he would rather see a picture gallery given up to living clerks than to dead canvases. If he had his way there should be no pictures but those that stimulated people to greater activity.
Source: Gutenberg

Various Punch, or the London Charivari…

I suppose it is hopeless to expect that the makers of "Grand" Opera (whose sense of humour is seldom their strong point) will consent to allow the trivialities of ordinary speech in everyday life ("How do you do?" "Thank you, I am not feeling my best," and so on) to be said—if they must find expression of some sort—and not sung.
By way of contrast to the modern realism which makes so unlikely a material for serious opera, the fantastic irresponsibility of The Magic Flute came as a great relief.
Source: Gutenberg

Various Punch, or the London Charivari…

Lena passionately adoring; the aloof Heyst passing suddenly from indifference to ardour; the bestial Ricardo in pursuit of his startled quarry; and gentleman Jones intent on non-existent booty and rapt out of him self by cynical fury at the discovery of an unsuspected woman in the case. And while Mr. CONRAD in his novel drives all these to a relentless doom Mr. HASTINGS contrives a happy ending, which goes perilously near an anticlimax, with the hero on his knees and the heroine pointing up to heaven and claiming a "victory" quite other than their creator intended.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature