Summary

Various,  The Contemporary Review, Volume 36…

“ Anatomy, perspective, colour, drapery, effects of light, of water, of shadow, forms of trees and flowers, converging lines of architecture, all this at once absorbed and distracted the attention of the artists of the early Renaissance; and while they studied, copied, and calculated, another thought began to haunt them, another eager desire began to pursue them: by the side of Nature, the manifold, the baffling, the bewildering, there rose up before them another divinity, another sphinx, mysterious in its very simplicity and serenity—the antique. ”
Source: Gutenberg

Various,  The Contemporary Review, Volume 36…

“ Every civilization has its inherent evil; antiquity had its' inherent evils, as the Middle Ages had theirs; antiquity may have bequeathed to the Renaissance the bad with the good, as the Middle Ages had bequeathed to the Renaissance the good with the bad. But the art of antiquity was not the evil, it was the good of antiquity; it was born of its strength and its purity only and it was the incarnation of its noblest qualities. ”
Source: Gutenberg

Various,  The Contemporary Review, Volume 36…

“ Fifty years ago Greece emerged from a catastrophe: she had been deprived of everything and devastated by a long and desperate war; she was without resources, without agriculture, without commerce, without manufactures, without the least social or political organization; everything had perished during her long struggle for independence, except her genius and her faith in the future. This faith has already wrought marvels. Agriculture, which is par excellence the basis of the prosperity of nations, has made considerable progress; its development goes on day by day in geometrical progression. ”
Source: Gutenberg

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