Ancient Greece and Ancient Rome

Definition and stakes

Portrait of Jesse Benedict Carter Jesse Benedict Carter,  The Religion of Numa

“ It is the fashion of our day to think no evil of Greece. In art we are experiencing another Renaissance, not like that of the fourteenth and fifteenth centuries in a revival of ancient Rome, but in a movement leading behind Rome to the classic and even the pre-classic models of Greece. In itself it is a healthful tendency, a needed corrective to the sensational search for novelty which characterised the closing years of the nineteenth century. But in our admiration for the Greek spirit we ought not to forget that after Alexander that spirit lost much of its beauty, and aged very rapidly. ”
Source: Gutenberg

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“ The empire was all antiquity, fused into a gigantic unit, and protected by the legions drawn from every quarter of the world, from Spain to Syria. As it grew old its roots sank deeper into the past. When it had taken all that Greece had to offer in art and literature, the tongue of Greece gave free access to the philosophy of the orient, and as its pantheon filled with all the gods of the world, its thought became the reflex of that of the Hellenised east. If Rome conquered the ancient world, it was made captive in return. ”
Source: Gutenberg

Portrait of W. M. Flinders Petrie W. M. Flinders Petrie,  The Arts and Crafts of Ancient Egypt

“ In classical Greece, the supremacy in vital sculpture and architectural proportion has so filled the attention of the modern world that the higher achievement of surrounding nations in other directions has been largely overlooked. In each of the special qualities that we note in other peoples the Greeks were their inferiors.
Rome was largely dominated by other races in its development; but in the art of civilisation and raising subject peoples, in the shaping of life and rule of law, it stood far above any ancient nation.
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Source: Gutenberg

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