Antonello da Messina

Definition and stakes

Giorgio Vasari,  Lives of the Most Excellent Painters… (1850)

“ Now, it happened that a certain Antonello da Messina, [10] a man of lively genius, of much sagacity, and considerable experience in his calling, having studied design during many years in Rome, had first retired to Palermo, where he worked for some time, and had finally returned to Messina, his native place, where he had confirmed by his works the good opinion entertained of him by his countrymen as one well-skilled in the art of painting. ”
Source: Wikisource

Portrait of Thomas Okey Thomas Okey,  Venice and Its Story

“ When Antonello da Messina, about 1473, brought the perfected Flemish method of painting in oils to Venice, Bartolomeo was not slow to adopt the new medium. Alvise Vivarini, his younger kinsman, made further use of Antonello’s innovation, and touched, moreover, by the spirit of the Bellini, the young painter, whose works cover the period between 1464-1502, begins to foreshadow the future glories of Venetian painting. The earnest, severe, almost harsh features become softened, a strange grace and gentleness comes like a breath of springtime and promise over the whole field of Venetian art. ”
Source: Gutenberg

Various,  Encyclopaedia Britannica, 11th Edition…

“ They show him gradually throwing off the last restraints of the 15th-century manner; gradually acquiring a complete mastery of the new oil medium introduced in Venice by Antonello da Messina about 1473, and mastering with its help all, or nearly all, the secrets of the perfect fusion of colours and atmospheric gradation of tones. The old intensity of pathetic and devout feeling gradually fades away and gives place to a noble, if more worldly, serenity and charm. ”
Source: Gutenberg

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