Booth Tarkington

“ Miss Carewe stood in the crowd upon the opposite side of the broad street. Even there her cheeks were uncomfortably hot, and sometimes she had to brush a spark from her shoulder, though she was too much excited to mind this. She was watching the beautiful fiery furnace between the north wall of the burning warehouse and the south wall of its neighbor, the fifty feet brilliant and misty with vaporous rose-color, dotted with the myriad red stars, her eyes shining with the reflection of their fierce beauty. ”

“ That was the sorrowfulest sound of all to William. His lonely mind's eye sought the vasty spaces to the east; crossed prairie, and river, and hill, to where a long train whizzed onward through the dark—farther and farther and farther away. William uttered a sigh, so hoarse, so deep from the tombs, so prolonged, that Jane, who had been relaxing herself at full length upon the floor, sat up straight with a jerk. ”

“ BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana. The hero of his earliest novel, Harkless in The Gentleman from Indiana, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire. But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero. ”

“ Saving himself and the pan of wafers by a supreme contortion at the last instant, William decided to remain upon his feet. "What do I care for the cakes?" he demanded, contemptuously, beginning to pace the floor. "It's the question of principle I'm talking about! Do you think it's right to give the people of this town a poor name when strangers like Miss Pratt come to vis—"
"Willie!" His mother looked at him hopelessly. "Do go and brush your hair. If you could see how you've tousled it you would."
He gave her a dazed glance and strode from the room.
Jane looked after him placidly. ”

“ William rested an elbow upon the gate-post, and with his chin reposing in his hand gazed long in the direction in which the unknown had vanished. And his soul was tremulous, for she had done her work but too well.
"'Indifferink'!" he murmured, thrilling at his own exceedingly indifferent imitation of her voice. "Indifferink!" that was just what he would have her think—that he was a cold, indifferent man. It was what he wished all girls to think. And "sarcastic"! He had been envious one day when May Parcher said that Joe Bullitt was "awfully sarcastic." ”

“ His wife was upon the porch, outside, sewing. The silence was deep. He seemed to listen to it—to listen with gusto; his face slowly broadening, a pinkish tint overspreading it. His flaccid cheeks appeared to fill, to grow firm again, a smile finally widening them.
"Hah!" he breathed, sonorously. He gave himself several resounding slaps upon the chest, then went out to the porch and sat in a rocking-chair near his wife. He spread himself out expansively. "My Glory!" he said. "I believe I'll take off my coat! I haven't had my coat off, outside of my own room, all summer. ”

“ I have said I learn' a secret, and use it to make a man introduce me if I will not tell. He has absolve' me of that promise. My frien's, I had not the wish to ruin that man. I was not receive'; Meestaire Nash had reboff me; I had no other way excep' to use this fellow. So I say, 'Take me to Lady Malbourne's ball as “Chateaurien.”' I throw off my wig, and shave, and behol', I am M. le Duc de Castle Nowhere. Ha, ha! You see?”
The young man's manner suddenly changed. He became haughty, menacing. He stretched out his arm, and pointed at Winterset. “Now I am no 'Beaucaire,' messieurs. ”

“ He was not the man to criticise the remarkable ignorance of dining car table architecture thus displayed, nor did he in any wise resent being mistaken up to the ankles for metal or wood. No. The light pressure of her small heels hardly indented the stout toes of his brown shoes; the soles of her slippers reposed upon his two insteps, and rapture shook his soul to its foundations, while the ineffable girl gazed lustrously out of the window, the clear serenity of her brilliant eyes making plain her complete unconsciousness of the nature of what added to her new comfort. ”

“ ON a warm morning, ten days later, William stood pensively among his mother's flowerbeds behind the house, his attitude denoting a low state of vitality. Not far away, an aged negro sat upon a wheelbarrow in the hot sun, tremulously yet skilfully whittling a piece of wood into the shape of a boat, labor more to his taste, evidently, than that which he had abandoned at the request of Jane. Allusion to this preference for a lighter task was made by Genesis, who was erecting a trellis on the border of the little garden. ”

“ Again he paused.
"Oh, Jane didn't mean anything," said Mrs. Baxter. "And if you think Miss Pratt is so nice, I'll ask May Parcher to bring her to tea with us some day. If it's too hot, we'll have iced tea, and you can ask Johnnie Watson, if you like. Don't get so upset about things, Willie!"
"'Upset'!" he echoed, appealing to heaven against this word. "'Upset'!" And he entered the house in a manner most dramatic.
"What made you say that?" Mrs. Baxter asked, turning curiously to Jane when William had disappeared. "Where did you hear any such things?" ”

“ And as he lay on his dreary bed he thought of brightly lighted rooms where other boys were dressing eagerly faces and hair shining, hearts beating high—boys who would possess this last evening and the "last waltz together," the last smile and the last sigh. ”

“ There is no escape. I cannot neglect my estate. Business is business, as you say in America. You will excuse me while I give some orders.” He looked at his watch. “My train goes at once.”
As soon as he had gone, Mrs. Baxter turned toward her husband. They were alone; for the marquise, with an imperious wave of her fan, had summoned the prince to her side, and Albert De Raimbault was idly poking at the scraps of thé telegram with the toe of his pointed patent-leather shoe.
“To Paris, did you hear?” said she. “He's not going to Fontenay, after all. That shows how foolish Nancy is.” ”

“ Well, sir, I almost let out a holler: first thing I thought was they must of been in the worst accident this town had ever saw. Why, pore ole General—honest, he looked more like a slaughter-house than he did like a horse, Lu! 'What in the name of God is the matter, Bore!' I says, and you never hear a man take on the way he done.
“Seems Maud and Bill had painted ole General red, and they painted him thick, too, while Bore was in the house fixin' to take their mother out on this here buggy-ride. And, well, sir, to hear him take on, you'd of thought I was responsible for the whole business! ”

“ Hot weather's no excuse for—for outright obesity!" (As Jane was thin, it is probable that William had mistaken the meaning of this word.) "Why, half o' what she has got on has come unfastened—especially that frightful thing hanging around her leg—and look at her back, I just beg you! I ask you to look at her back. You can see her spinal cord!"
"Column," Mrs. Baxter corrected. "Spinal column, Willie."
"What do I care which it is?" he fumed. "People aren't supposed to go around with it exposed, whichever it is! And with apple sauce on their ears!" ”

“ It is an art of Plattville.
Suddenly there was a hum and a stir and a buzz of whispering in the room. Two gray old men and two pretty young women passed up the aisle to the platform. One old man was stalwart and ruddy, with a cordial eye and a handsome, smooth-shaven, big face. The other was bent and trembled slightly; his face was very white; he had a fine high brow, deeply lined, the brow of a scholar, and a grandly flowing white beard that covered his chest, the beard of a patriarch. One of the young women was tall and had the rosy cheeks and pleasant eyes of her father, who preceded her. ”

“ In the hall, out of range from the library door, he executed a triumphant but noiseless caper, and doubled with mirth, clapping his hand over his mouth to stifle the effervescings of his joy. He had recognized the ledger in the same wrapping in which he had left it in Mrs. Lindley’s vestibule. His moment had come: the climax of his enormous joke, the repayment in some small measure for the anguish he had so long endured. He crept silently back toward the door, flattened his back against the wall, and listened.
“Richard,” he heard Laura say, a vague alarm in her voice, “what is it? ”

“ He passed the nozzle to Tappingham, caught the second rung with his left hand, and, once more hanging head downward, seized the nozzle; then, with his knee hooked tight, as the gushing water described a huge semicircle upon the smoke and hot vapor, he made a mad lurch through the air, while women shrieked; but he landed upright, half-sitting on the lowest rung. He climbed the grappling-ladder swiftly, in spite of the weight and contortions of the unmanageable beast he carried with him; Tom leaned far down and took it from him; and Crailey, passing the eaves, fell, exhausted, upon the roof. ”

“ She was best answered at the time by Booth Tarkington, the greatest living American writer of fiction, with the allowable exception of William Dean Howells. Said Tarkington:
“It is human nature to desire optimism in anybody—in a doctor, or a friend, or a farm hand, or a dog. Of course, the public desires optimism in a book, and it wants not the ‘cheapest sort of sham optimism,{23}’ but the finest sort of genuine optimism that it can understand. Naturally, the average understanding isn’t the highest understanding; nevertheless, the writer who stoops to conquer doesn’t conquer.” ”

“ As the last bars sounded, a group of earnest young men who had surrounded the lovely guest of honor, talking vehemently, broke into loud shouts, embraced one another and capered variously over the lawn. Mr. Parcher beheld from a distance these manifestations, and then, with an astonishment even more profound, took note of the tragic William, who was running toward him, radiant—Miss Boke hovering futilely in the far background.
"What's all the hullabaloo?" Mr. Parcher inquired.
"Miss Pratt!" gasped William. "Miss Pratt!" ”

“ Miss Boke had been sitting under the mapletree for a long time—so long, indeed, that she was acquiring a profound distaste for forestry and even for maple syrup. In fact, her state of mind was as desperate, in its way, as William's; and when a hostess leads a youth (in almost perfectly fitting conventional black) toward a girl who has been sitting alone through dance after dance, that girl knows what that youth is going to have to do.
It must be confessed for Miss Boke that her eyes had been upon William from the moment Mrs. Parcher addressed him. ”

“ It was no balm upon that sting to see her pass him at the top of the outer steps, half an hour later, on the arm of that one of his colleagues who had been called the “best-dressed man in the Legislature.” She swept by him without a sign, laughing that same laugh at some sally of her escort, and they got into the black automobile together and were whirled away and out of sight by the impassive bundle of furs that manipulated the wheel.
For the rest of that afternoon and the whole of that night no man, woman, or child heard the voice of Alonzo Rawson, for he spoke to none. ”

“ I've been with him for four years—stage-manager—hired man—maid-of-all-work—order his meals for him in hotels—and I guess old Tinker and I know him as well as anybody does, but it's a mighty big job to handle him just right. It keeps us hopping, but that's bread and butter. Not much bread and butter anywhere these days unless you do hop! We all have to hop for somebody!” He chuckled again, and then unexpectedly became so serious he was almost truculent. “And I tell you, Mr. Canby,” he cried, “by George! I'd sooner hop for Talbot Potter than for any other man that ever walked the earth!” ”

“ It isn't very late and this is Canaan."
"I want to come with you, however," he said, picking up his hat. "You can't go alone."
"But you are so tired, you—"
She was interrupted. There were muffled, flying footsteps on the stairs, and a shabby little man ran furtively into the room, shut the door behind him, and set his back against it. His face was mottled like a colored map, thick lines of perspiration shining across the splotches.
"Joe," he panted, "I've got Nashville good, and he's got me good, too;—I got to clear out. He's fixed me good, damn him! ”

“ In his study of Booth Tarkington which is and will for a long time remain the chief resource and delight of those considering the novelist, Robert Cortes Holliday points out that the Indianapolis of Booth Tarkington’s youth was a town, and that B. T. is neither a city nor a country boy, but a town boy. ”

“ Can he retort upon his own victim? But it is for you to think of what I say. True, I am not reco'nize on the parade; that my frien's who come here do not present me to their ladies; that Meestaire Nash has reboff' me in the pomp-room; still, am I not known for being hones' and fair in my play, and will I not be belief, even I, when I lif' my voice and charge you aloud with what is already w'isper'? Think of it! You are a noble, and there will be some hang-dogs who might not fall away from you. Only such would be lef' to you. Do you want it tol'? And you can keep out of France, monsieur? ”