G. G. Zerffi, A Manual of the Historical Development of Art
“ Who does not understand at once that, out of these half-astronomical, half-cosmogonical conceptions, a religion and art full of mysticism, blending into one Fetishism, Astrology, and Anthropomorphism, must have grown? Only through a careful study of Egyptian mythology are we enabled to comprehend that gigantic power which urged the people to construct those temples and palaces, those labyrinths and catacombs, as mystic in themselves, as the hidden powers of nature. The masses in Egypt were kept in a degraded state of passive obedience ”
