Francis of Assisi

Definition and stakes

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton,  St. Francis of Assisi (1923)

“ He may treat religion as the real thing that it was to the real Francis of Assisi. He can find an austere joy, so to speak, in parading the paradoxes of asceticism and all the holy topsy-turvydom of humility. He can stamp the whole history with the Stigmata, record fasts like fights against a dragon; till in the vague modern mind St. Francis is as dark a figure as St. Dominic. In short he can produce what many in our world will regard as a sort of photographic negative, the reversal of all lights and shades ”
Source: Wikisource

Portrait of Lina Duff Gordon Lina Duff Gordon,  The Story of Assisi

“ Within the narrow circuit of the Assisan walls arose a figure of magical power who drew men to him by the charm of his mysticism and the spell of his ardent nature. It is the sweet-souled saint of mediæval Italy—St. Francis of Assisi—who now illuminates this quiet corner of the world.
Francis Bernardone was born in the year 1182, when, as we have seen, the Church was harrowed by a hundred ills. He passed a gay youth, free from every care, and tested all the pleasures that riches could procure.
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Source: Gutenberg

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton,  St. Francis of Assisi (1923)

“ With that gesture Francis of Assisi moved among men; and it was soon found to have something in it of magic and to act, in a double sense, like a charm. But it must always be conceived as a completely natural gesture; for indeed it was almost a gesture of apology. He must be imagined as moving thus swiftly through the world with a sort of impetuous politeness; almost like the movement of a man who stumbles on one knee half in haste and half in obeisance. The eager face under the brown hood was that of a man always going somewhere, as if he followed as well as watched the flight of the birds. ”
Source: Wikisource

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