French horn

Definition and stakes

Various,  Encyclopaedia Britannica, 11th Edition…

“ The hunting- and post-horns were favourite emblems on medieval coats of arms, more especially in Germany33 and Bohemia.
It is necessary at this point to draw attention to the fact that the French horn is a hybrid having affinities with both trumpet and primitive animal horn, or with buccina and cornu, and that both types, although frequently misnamed and confused by medieval writers and miniaturists, subsisted side by side, evolving independently until they merged in the so-called French horn.
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Source: Gutenberg

Kathleen Schlesinger,  1911 Encyclopædia Britannica, Volume 13… (1911)

“ The word “horn” when used by modern English musicians always refers to the French horn.
Modern horns may be divided into three classes: (1) the short horns with wide bore, such as the bugles (q.v.) and the post-horn. (2) The saxhorns (q.v.) , a family of hybrid instruments designed by Adolphe Sax, and resulting from the adaptation of valves and of a cup-shaped mouthpiece to instruments of the calibre of the bugle. The Flügelhorn family is the German equivalent of the saxhorns. The natural scale of instruments of this class comprises the harmonics from the second to the eighth only.
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Source: Wikisource

Various,  Scientific American Supplement No…

“ Owing to the changes of pitch by crooks, it is not easy to define the compass of the French horn. Between C in the bass clef and G above the treble will represent its serviceable notes. It is better that the first horn should not descend below middle C, or the second rise above the higher E of the treble clef. Four are generally used in modern scores. The place of the horn is with the wood wind band. From Handel, every composer has written for it, and what is known as the small orchestra of string and wood wind bands combined is completed by this beautiful instrument. ”
Source: Gutenberg

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