Greco-Roman mysteries

“ This did not mean, however, that men had lost their religious longing. Far from it. For there is abundant proof that under the stimulus of Greek philosophy and mysticism, questionings as to the nature of man, his relation to divinity, and his immortality became more earnest. To these questions the Greco-Roman religion offered no answer.
The oriental gods, however, were of a very different sort from those of Greece and Rome: they required a spiritual devotion on the part of their devotees and they made strong appeals to the religious emotions. ”

“ But it was as impossible for the Roman drama to reproduce the inner spirit of the noblest type of Greek tragedy as to rival its artistic excellence. Greek tragedy, in its mature glory, was not only a purely Greek creation, but was the artistic expression of a remarkable phase through which the human mind has once passed;—a phase in which the vivid fancies and emotions of a primitive age met and combined with the thought, the art, the social and political life of the greatest era of ancient civilisation. ”

“ There is, perhaps, nothing in the history of human intelligence to compare with the dazzling 'swiftness of its development or the rapidity of its decline. War was followed by pillage and devastation, and victorious Roman generals, mere depredators and plunderers, crowded Rome with the stolen treasures of Greece, with the result that Greek art and Greek influence soon made themselves felt in-the imperial city, and for generations its artists were almost exclusively Greeks, chiefly portrait painters and decorators. ”

“ The Greek race, suffering a long occultation under the blaze of the Roman empire, into which for a time it had been absorbed, but again emerging from this blaze and reassuming a distinct Greek agency and influence, offers a subject great by its own inherent attractions, and separately interesting by the unaccountable neglect which it has suffered. ”

“ In science and philosophy none to compare with Aristotle and Plato.
And in the arts, all the finest sculpture and architecture in Rome is known to have been copied from the Greeks. Where are the Roman names to put with those of Phidias and Praxiteles?
Everywhere, throughout the world, if a great literary work or a great artistic work was done, it was done either by a Greek or by some one of another race who had learnt from the Greeks. If Rome had conquered and possessed the world by her arms, Greece had conquered and possessed it by her thought. ”

“ This little touch [Pg 99] of art throws a gleam of inner light on the struggle towards originality and truth which characterized the Greek principles of beauty and fitness in literature and art, in direct contrast to that which was always turning back to those fossil forms which were only respectable on account of their age and their mystery, but of which the tradition and intention were already lost.
Roman patterns were merely Greek adaptations with an Etruscan flavour, which was a survival of the earliest Italian art. ”

“ The thing that was immortal was not the individual but the family. It is thoroughly in keeping with the practical character of the Roman mind that they did not concern themselves with the place in which these spirits of the dead were supposed to reside, but merely with the door through which they could and did return to earth. We have no accounts of the Lower World until Greece lent her mythology to Rome, and imagination never built anything like the Greek palace of Pluto. ”

“ It is historically true that attempts were made from time to time by patriotic Romans to preserve the old Latin faith in its original purity from foreign invasion. The introduction of Greek gods was at first vigorously opposed, but the 73exquisite beauty of Greek sculpture, the irresistible influence of Greek literature, and the overwhelming fascination of Greek myths, finally destroyed this opposition, and placed Apollo and Æsculapius in the Roman pantheon beside Jupiter and Minerva.
At another time the senate declared war on the Egyptian worship which was gradually making its way into Rome. ”

“ These prove beyond question that the later Greek drama, when adapted for Roman audiences, must have had a considerable influence upon Roman religion and Roman society. The gods are intentionally held up to ridicule; they are represented as being more immoral and baser than common men ”

“ Many influences had been at work to blur the clean-cut outlines of Hellenic imagination, and to sophisticate the ancestral faith both of Greece and Rome. Men wished to believe in the ancient gods, but they were no longer the gods of Homer or of Aeschylus, the gods worshipped by the men who fought [pg 459] in the Samnite or the Punic wars. Greek philosophy for eight centuries had been teaching a doctrine of one Divine force or essence, transcending the powers and limitations of sense, or immanent in the fleeting world of chance and change. ”

“ The marvels of Greek tragedy and Greek mythology, though merely the unreal conceptions of the imagination, do not appear exaggerated, because the connexion between the theory and the result, the causes and the effects, is so skilfully maintained; but in these Roman tragedies the legends of Greece appear extravagant and absurd: they are as unreal, and therefore seem as affected, as the classical garb in which English poetry was arrayed in the age of Anne. The Greeks believed in the gods and heroes whose agency and exploits constituted the machinery of tragedy—the Romans did not ”

“ In these provinces they were copyists of the Greeks: they lacked ideality. They had, also, far less delicacy of perception, flexibility, and native refinement of manners. But they had more sobriety of character and more endurance. They were a disciplined people; and in their capacity for discipline lay the secret of their supremacy in arms and of their ability to give law to the world. If they produced a much less number of great men than the Greeks, there was more widely diffused among Roman citizens a conscious dignity and strength. ”

“ If such was the end of Rome's rude native comedy, in tragedy the Romans were from the first dependent on the Greeks. Without common mythology, without bonds of common religion, the divided city of plebeian and patrician could feel none of the public sentiments out of which tragedy arose at Athens. If a tragedy based on the ethics of clan life had been started in early Rome, it would have possessed nothing to interest and everything to repel the general body of the Roman populace ”

“ In the days of the Punic wars and afterwards, when everything Greek was popular, a Roman audience could appreciate stories of the Greek mythology, as presented in the tragedies of Ennius, Pacuvius, and Accius, if without learning to read in them the great problems of human life, at least as spectacles of the vicissitudes of human fortune ”

“ From this time forth not only were Greek philosophers of eminence drawn to live themselves at Rome, and so to meet her statesmen and nobles in habits of intercourse, but the higher classes of the great capital commonly completed their education by visiting and studying at Athens, Rhodes, and other centres of Grecian thought. Thus by the fusion of Greece with the empire, while her political importance dwindled away, her influence upon the mind of her subjugators was immensely increased. But the Roman on his side obtained a sort of victory. ”

“ The dignity and value of the Greeks from that time forward belong to them only as individual philosophers, preceptors, astronomers, and mathematicians, literary men and critics, medical practitioners, etc. In all these respective capacities, especially in the great schools of philosophical speculation they still constitute the light of the Roman world; though, as communities, they have lost their own orbit, and have become satellites of more powerful neighbors. ”

“ As the primitive Celts, however, were a less civilized people than the Greeks, their mythology was of a more barbarous character, and this circumstance, combined with the fact that the Romans were not gifted with the vivid imagination of their Greek neighbours, leaves its mark on the Roman mythology, which is far less fertile in fanciful conceits, and deficient in all those fairy-like stories and wonderfully poetic ideas which so strongly characterize that of the Greeks. ”

“ Relation of Roman to Greek Literature: the Poets of the Republican Era.—Latin literature was almost wholly imitative or borrowed, being a reproduction of Greek models; still it performed a most important service for civilization: it was the medium for the dissemination throughout the world of the rich literary treasures of Greece.
It was the dramatic productions of the Greeks which were first studied and copied at Rome. Livius Andronicus, Naevius, Ennius, Plautus, and Terence, all of whom wrote under the republic, are the most noted of the Roman dramatists. ”

“ But out of the suggestions and reminiscences of Greek lines they made a rigid and inflexible grammar of their own,—a grammar to suit the mailed clang of Roman speech, which, in its cruel martial strength, sought no refinements, no delicate inflections from a distant Acropolis. The result was the coarse splendor of the Empire. How utterly the still Greek Ideal was forgotten in this noisy splendor, how entirely the chaste spirituality of the Greek line was lost in the round and lusty curves which are the inevitable footprints of Sensual Life, scarcely needs further amplification. ”

“ Phidias, being asked how he conceived the idea of his Olympian Jupiter, answered by repeating a passage of Homer. We can scarcely conceive of the enthusiasm which the Greeks exhibited in the cultivation of art. Hence it has obtained an ascendency over that of all other nations. Roman art was the continuation of the Grecian. The Romans appreciated and rewarded Grecian artists. They adopted their architecture, their sculpture, and their paintings; and, though art never attained the estimation and dignity in Rome that it did in Greece, it still can boast of a great development. ”

“ In Greece scepticism is universal among the upper class, and the same may now be said of Egypt. Our Roman belief is the more unaccountable since we have simply borrowed the religion of the Greeks, the gods and their attributes being the same, with only a change of name; and yet we fancy that these Greek gods are the special patrons of Rome.
"Your religion seems to me the most reasonable of any I have studied, and approaches more nearly than any other to the highest speculations of the Greek philosophers. You believe in one God, who is invisible and impersonal, who pervades all nature ”

“ After the time of Aristotle the Greek intellect dissipated itself in Stoicism and skepticism, and a cloud of darkness settled down gradually over the country, when Rome conquered its last armies, and reduced it to obedience to an alien principle. At a few centers like Alexandria and Athens, art and science were cultivated to a very high degree, but Greece had nothing new to contribute to the world, and its labors henceforth were for Roman hire, or frequently the work of bondmen. The wealthy Roman owned Greek slaves, who acted as tutors to his children and producers of art for his amusement. ”

“ It is a singular fact that the Greek and the Roman, in spite of their great intellectual acuteness, accomplished so little in the penetration of Nature's secrets. With the strong love of the beautiful that distinguished the one, and the profound sense of law that marked the other, one would have supposed that they would have felt more the charm and loveliness of the outward world, and have taken a greater interest in discovering its unchangeable ordinances. ”

“ But the efforts of the Senate to safeguard these oracles only prove that the older and wiser men in the community realised how dangerous they were, and the comparison with Greece leads to a consideration of certain essential differences between the Greek and the Roman temperament which made that which was meat for one into poison for the other. [Pg 69]
In the older purer age of Greece the gods were never far away from men, they lived almost side by side with them ”

“ It requires a steadfast gaze not to turn aside revolted from the destroying fury of Greeks against Greeks—Athens, Thebes, Sparta, Corinth, and Macedon—and yet even their claim to live, their greatness, did in this consist, that for so light yet so immortal a cause they were content to resign the sweet air and the sight of the sun, and of this wondrous fabric of a world in which their presence, theirs, the children of Hellas, was the divinest wonder of all.
Of the grandeur and elevation which Rome imparted to war and to man's nature it is superfluous to speak. ”

“ Roman mythology, as well as Greek, suffered from literary treatment, and it is only by collecting detached fragments and facts of primitive thought throughout the whole field of classic literature that we are able to get at something beyond the official religion of polished society in Greece and Rome. ”

“ And the philosophy which Greece gave Rome was no better than the mythology. It is not strange that human thought experienced a reaction after a century which contained both Plato and Aristotle, but it is a pity that Rome should have learned her philosophy from a period of doubt and scepticism, an age in which the lesser masters, who had known the greater ones, had gone, leaving nothing but pupils' pupils. ”

“ As long as the Greeks were left solely to their mythology, their views of a future state were melancholy and confused. Death was an evil, not a release. Even in their Elysium, their favourite heroes seem to enjoy but a frigid and unenviable immortality. ”