Naevius

“ The revolution indeed was not effected without a struggle. Naevius seems to have been the last of the ancient line of poets. Ennius was the founder of a new dynasty. Naevius celebrated the First Punic War in Saturnian verse, the old national verse of Italy. Ennius sang the Second Punic War in numbers borrowed from the Iliad. The elder poet, in the epitaph which he wrote for himself, and which is a fine specimen of the early Roman diction and versification, plaintively boasted that the Latin language had died with him. ”

“ By other modern scholars he is disadvantageously compared with Naevius, who is held up to admiration as the last of the genuine Roman minstrels. Naevius appears indeed to have been a remarkable and original man, yet his very scanty fragments do not afford sufficient evidence to justify the reversal of the verdict of antiquity on the relative greatness and importance of the two poets. The old Roman party, in opposition to whom Ennius and his friends are supposed to have introduced the new taste and suppressed the old, never showed any zeal in favour of poetry of any kind. ”

“ The mass of Roman citizens, both rural and urban, was thus prepared by their festive traditions and habits to welcome the introduction of comedy, just as they were prepared by their political traditions and aptitudes to welcome the appearance of a popular orator.
Naevius and Plautus might thus be poets of the people more [page 157] truly than any later Roman poet could be. The career of Naevius, and the public and personal elements which he introduced into his plays, afford evidence of his desire to use his position as a popular poet for political ends. ”

“ There can be little doubt that in Sicily Naevius saw performances of post-classical tragedies and comedies, not to mention music-hall performances of mimes and farces, that gave him good suggestions as to how the plays of Euripides could be staged without a chorus, and [50] how a paraphrase of a Menandrian comedy that had lost its entr’acte songs could be turned into something like light opera. And a genius as inventive and independent as Naevius would soon break through the limitations of the Roman stage and shape, with the help of such suggestions, a performance suited to Roman needs. ”

“ The length of time during which Naevius, Plautus, Ennius, Pacuvius, Accius, and probably Lucilius, exercised their art suggests the inference, either that they were men of firmer fibre than their successors, or that they were braced to a more enduring strength by the action of their age. As the work of men writing in the fulness of their years, the serious poetry of the time appealed to the mature sympathies of manhood ”

“ Livius is merely a name, which is unfortunate, since we know that he deserved well of Roman civilization. Naevius is less shadowy, a personality whose creative work left an impress on such powerful men as Cicero and Vergil two centuries later. He wrote not only plays, but an epic, condensing Rome’s history in an annalistic poem, the climax of which was the great victory over Carthage in which he had had a share. ”

“ If he may be allowed to live where Sextus Naevius does not wish to, if there is room in the city for an honest man against the will of Naevius; if Publius Quinctius may be allowed to breathe in opposition to the nod and sovereign power of Naevius; if under your protection, he can preserve in opposition to the insolence of his enemy the ornaments which he has acquired by virtue, there is hope that this unfortunate and wretched man may at last be able to rest in peace. But if Naevius is to have power to do everything he chooses, and if he chooses what is unlawful, what is to be done? ”

“ They show, however, that Nævius was a poet of real power, and that with him the Latin language was beginning to develop some fitness for literary use. His epitaph, preserved by Aulus Gellius, will serve not only to show the stiff and monotonous rhythm of the Saturnian verse, but also, since it was probably written by Nævius himself, to exhibit his proud consciousness of superiority:
Immórtalés mortáles sí forét fas flére
Flerént divaé Caménae Naéviúm poétam. ”

“ They composed poetical chronicles without any attempt to adhere to the principles and practice of the Greek epic. The work of Naevius differed from that of Ennius in this respect, that it treated of one particular portion of Roman history, and did not profess to unfold the whole annals of the State. The slight and scanty fragments that remain from the latter part of the poem, are expressed with all the bareness, and, apparently, with the fidelity of a chronicle. They have the merit of being direct and vigorous, but are entirely without poetic grace and ornament. ”

“ Because Quinctius owed nothing whatever to Sextus Naevius, neither on account of the partnership, nor from any private debt. Who is a witness of this? Why, the same man who is our most bitter enemy. In this matter I will cite you—you, I say, O Naevius, as our witness Quinctius was with you in Gaul a year, and more than that, after the death of Caius Quinctius. Prove that you ever demanded of him this vast sum of money, I know not how much ”

“ Till the appearance of Ennius, Roman literature, although it had produced the epic poem of Naevius and some adaptations of Greek tragedy, had been most successful in comedy. Naevius and Plautus were men of thoroughly popular fibre. Naevius suffered for his attacks on members of the aristocracy, and, although Plautus carefully avoids any direct notice of public matters, yet the bias of his sympathies is indicated in several passages of his extant plays. Ennius, on the other hand, was by temperament in thorough sympathy with the dominant aristocratic element in Roman life and institutions. ”

“ It was written during his banishment at Utica, after he had signalized himself as a dramatist at Rome, and was a work which Cicero said “afforded him a pleasure as exquisite as the finest statue ever chiselled by Myron.”
“The Punic War” entitles Nævius to the claim of originality as well as genius. The episode of Dido and Æneas, the career of Regulus, and other soul-stirring stories, were told in its Saturnian lines; and it must ever be a matter of regret that so interesting a poem is virtually lost to literature. Nævius is called “the last of the native minstrels.” ”

“ That Nævius wrote this war in the Saturnian rhythm, that he wrote it as a poem, is characteristic of the age, a proof that ancient history was at that time familiar to the Romans in a poetical form. So it was in the oldest historical literature of the Germans with the feud of the bishops by Gotfrid Hagen, and with the poetical history of the conquest of Livonia by the Teutonic knights (which is as yet unprinted) ; for before the thirteenth century at least no history was written in German prose. The year in which Nævius first brought out a play on the stage is undecided. ”

“ We cannot be surprised at the universal popularity of Nævius. His stern love of liberty, his unsparing opposition to aristocratic exclusiveness, was identical with the old Roman republicanism. His taste for satire exactly fell in with the spirit of the earliest Roman literature, whilst he depicted with life and vigour and graphic skill the scenes of heroism in which the soldier-poet of the first Punic War was himself an actor. His tragedies were probably entirely taken from the Greek, but his comedies had undoubted 85pretensions to originality. ”

“ The manner of speaking which was then in vogue, may easily be collected from the writings of Naevius: for Naevius died, as we learn from the memoirs of the times, when the persons above-mentioned were consuls; though Varro, a most accurate investigator of historical truth, thinks there is a mistake in this, and fixes the death of Naevius something later. For Plautus died in the consulship of P. Claudius and L. Porcius, twenty years after the consulship of the persons we have been speaking of, and when Cato was Censor. ”

“ This poem, to judge from the fragments still extant of it, was by no means deficient in poetical merit. Perhaps Servius had not read Nævius at all; he only seems to have known from older commentators that Virgil had borrowed from him the argument of his first book. Nævius treated in it of the destruction of Troy, of Dido, and Æneas. It is very natural to surmise that he also derived already the rivalry between Rome and Carthage from the faithlessness of Æneas. [7] Yet it was hardly an elaborate Roman history. ”

“ Of this anti-aristocratic party Nævius was the literary representative, and the vehement opponent of privileges derived from the accident of birth. His position, too, was calculated to provoke a man of better temper. He was a Roman citizen, but, as a native of a municipal town, he did not possess the full franchise which he saw enjoyed by others around him who were intellectually inferior to himself, and the sense of his political inferiority was galling to him. Accordingly he used literature as a new and powerful instrument to foster the jealousy which existed between the orders of the state. ”

“ Nævius, therefore, did not disdain to recommend his original genius by a study of the principles of Greek versification, and by clothing his thoughts in those which his ear suggested as being most appropriate to the occasion. He does not seem to have overcome the difficulties of the heroic metre, although he studied the Homeric poems.
Probably as the Saturnian, the only natural Italian measure which he found existing, was a triple time, the Roman ear could not at once adapt itself to the common time of the dactylic measures. The versification of our own country furnishes an analogous example. ”

“ Neither the fragments nor the ancient notices of Pacuvius [page 143] produce on a modern reader so distinct an impression of his peculiar genius and character as may be formed of Naevius, Ennius, and Lucilius. His remains are chiefly important as throwing light on the general features of the Roman tragic drama; and few critics would attempt to determine from internal evidence alone whether any particular passage came from the lost works of Pacuvius or of Accius. ”

“ From that time on plays were produced every year. Five years after the first performance, Naevius, who had served in the Sicilian campaigns (and had perhaps learned Greek there) , began to help in the work of adapting Greek plays for the Roman stage. Only brief fragments of those early plays have survived and in reviewing the list of titles we might wonder at the enthusiasm they reveal for plays shaped on the old Greek mythology. But the predominance of titles derived from the Trojan cycle explains this enthusiasm. ”

“ Besides, if the traditions of Nævius were Italian, were not many of the Greek and Italian traditions which form the framework of the Æneid identical? Nævius must have drawn largely from the Cyclic poems; and Niebuhr allows that Virgil copied these parts of his poem from Nævius. [584] He asserts his conviction that Virgil’s shield of Æneas had its model in Nævius, in whose poem Æneas or some other hero had a shield representing the wars of the giants; and yet no one could doubt that the shield of Nævius must have been suggested by the Homeric and Hesiodic poems. ”

“ The earlier national epics of Naevius and Ennius had framed certain lines for Roman epic poetry, which it was almost bound to follow. They had established the mythical connection of Rome with Troy and with the great cycle of Greek legend, and had originated the idea of making Rome itself —that Fortuna Urbis which later stood in the form of a golden statue in the imperial bedchamber—the central interest, one might almost say the central figure, of the story. ”

“ But, in the first place, the mere fact that it was more easy for him to adapt than to create would have been a sufficient motive to so careless and unconscious an artist. Again, the state-censorship exercised by the magistrates who exhibited the games would naturally deter a poet, who did not wish to encounter the fate of Naevius, from any direct dealing with the delicate subject of Roman social and family life. The later writers of the fabulae togatae seem for the most part to have reproduced the life and personages of the provincial towns in Italy. ”

“ The words of the epitaph are simply expressive of the strong self-assertion and independence which Naevius maintained till the end of his active and somewhat turbulent career.
He wrote a few tragedies, of which scarcely anything is known except the titles,—such as the Andromache, Equus Trojanus, Hector Proficiscens, Lycurgus,—the last founded on the same subject as the Bacchae of Euripides. The titles of nearly all these plays, as well as of the plays of Livius, imply the prevailing interest taken in the Homeric poems, and in all the [page 56] events connected with the Trojan War. ”

“ Among the most truly Roman characteristics of Latin poetry, national and patriotic sentiment is prominently conspicuous. Among the poets of the Republic, Naevius and Lucilius were animated by strong political as well as national feeling. The chief work of Ennius was devoted to the commemoration of the ancient traditions, the august institutions, the advancing power, and the great character of the Roman State. ”

“ It is altogether a forgery; and Palmerius and Beaufort have just grounds for their conclusion, that it was only invented to wash out the foul stain of the tortures of the Carthaginian prisoners. I believe that it has been borrowed from Nævius; for Diodorus does not know of it, as is evident from his fragments: he had but a very imperfect knowledge of Roman history, and only from the earlier, and almost contemporary writers, Philinus of Agrigentum, Timæus, and Fabius Pictor; the poet Nævius, he had not read. ”