Immalee

“ He evaded answering her on this point, but said, “Immalee, I come from a world wholly unlike that you inhabit, amid inanimate flowers, and unthinking birds. I come from a world where all, as I do, think and speak.” Immalee was speechless with wonder and delight for some time; at length she exclaimed, “Oh, how they must love each other! even I love my poor birds and flowers, and the trees that shade, and the waters that sing to me!” The stranger smiled. “In all that world, perhaps there is not another being beautiful and innocent as you. It is a world of suffering, guilt, and care.” ”

“ A darkened cloud at that moment covered the moon—it seemed as if the departed storm collected in wrathful haste the last dark fold of its tremendous drapery, and was about to pass away for ever.
“The eyes of the stranger flashed on Immalee the brightest rays of mingled fondness and ferocity. He pointed to the darkness,—“Wed me by this light!” he exclaimed, “and you shall be mine for ever and ever!” Immalee, shuddering at the grasp in which he held her, and trying in vain to watch the expression of his countenance, yet felt enough of her danger to tear herself from him. “Farewell for ever!” ”

“ Yet the impression made upon Immalee by the conversations of Melmoth is very different from what he intended. She sheds tears and suffers with the sufferers, but [Pg 240] nevertheless she is seized with a longing towards the world. She has tasted from the tree of knowledge, and her peace of mind is gone. At the same time she feels that the society of the stranger is far more to her than that of her mute companions; every time he leaves her she implores him to return, and he, on his part, cannot resist the temptation although he sees he is destroying her happiness. ”

“ In point of language it contains the most magnificent passages in Maturin’s production, and the characterization also stands very high. Powerful as is the picture of the passions and emotions of Melmoth, it is surpassed by the art with which Immalee’s development from a wild and thoughtless girl into a woman who loves, and suffers for her love, is traced. The delineation of feminine psychology, in which Maturin always excelled, is here as masterly as it was in the case of Eva in Women, and there is, in Immalee, an inner truth quite independent of her fantastical circumstances. ”

“ Immalee gazed on in horrid curiosity. She saw, by the aid of the telescope, a boy seated on the front of the moving temple, who “perfected the praise” of the loathsome idol, with all the outrageous lubricities of the Phallic worship. From the slightest consciousness of the meaning of this phenomenon, her unimaginable purity protected her as with a shield. It was in vain that the tempter plied her with questions, and hints of explanation, and offers of illustration. He found her chill, indifferent, and even incurious. ”

“ Immalee was rescued, her origin was discovered, and she became Isidora de Aliaga, the carefully nurtured daughter of prosperous and devout Spanish parents. The island and the stranger were memories of the past. Yet one day, in the streets of Madrid, she beheld once more the well-remembered eyes. Soon afterwards she was visited by the stranger. How he entered and left her home when he came to her--and again he came often--she could not tell. She feared him, and yet she loved him. ”

“ His countenance, however, bore but few traces of either age or suffering, and had quite a prepossessing look, were it not for the expression of his eyes, which were cold and repelling, but with a glance sharp and piercing that seemed to read the inmost secrets of any object on which it was cast.
These organs were nearly concealed by a pair of black, shaggy brows, that ill-accorded with the excessive whiteness of their owner’s hair. The stranger, noticing the anxious and half-affrighted look of Imogene, broke the silence by saying:
“Young lady, be not afraid ”

“ At the cave where these youths dwelt it was Imogen's fortune to arrive. She had lost her way in a large forest, through which her road lay to Milford-Haven (from which she meant to embark for Rome) ; and being unable to find any place where she could purchase food, she was with weariness and hunger almost dying; for it is not merely putting on a man's apparel that will enable a young lady, tenderly brought up, to bear the fatigue of wandering about lonely forests like a man. Seeing this cave, she entered, hoping to find someone within of whom she could procure food. ”

“ The character is the nearest one gets in Hebrew to the best heroines of the troubadours. Immanuel and she exchange verses, but the path of flirtation runs rough. They are parted, she, woman-like, dies, and he, man-like, sings an elegy. Even more to Immanuel's credit is his praise of his own wife. She has every womanly grace of body and soul. On her he showers compliments from the Song of Songs and the Book of Proverbs. If this be the true man revealed, then his light verses of love addressed to other women must be, as I have hinted, a mere pose. ”

“ Spit, and throw stones, cast mire upon me, set The dogs o' th' street to bay me. Every villain Be call'd Posthumus Leonatus, and Be villainy less than 'twas! O Imogen! My queen, my life, my wife! O Imogen, Imogen, Imogen! IMOGEN. Peace, my lord. Hear, hear! POSTHUMUS. Shall's have a play of this? Thou scornful page, There lies thy part. [Strikes her. She falls] PISANIO. O gentlemen, help! Mine and your mistress! O, my lord Posthumus! You ne'er kill'd Imogen till now. Help, help! Mine honour'd lady! CYMBELINE. Does the world go round? ”

“ His face was carefully concealed in the folds of an ample cloak that fell gracefully from his shoulders.
“Why this intrusion, sir?”
“No intrusion, fair lady, only a friendly visit.”
At the sound of the stranger’s voice Imogene involuntarily drew back.
“That voice—surely I have heard it before—it is so like his!” she whispered to herself. “Who are you, sir?”
“Behold!” exclaimed the stranger, throwing off his disguise.
“Great Heavens! Maurice!” and Imogene, trembling in every joint, staggered against the wall for support. ”

“ No, Imogen, no, you must not leave us thus. Though we would have done a thousand times more than we have for your own sake, who are so simple and so good, it is yet fit that you should know, that we are not mistresses here, and that all we have done has been by the orders of the lord of this rich mansion. ”

“ We come to Imogen. Others of Shakspeare's characters are, as dramatic and poetical conceptions, more striking, more brilliant, more powerful; but of all his women, considered as individuals rather than as heroines, Imogen is the most perfect. Portia and Juliet are pictured to the fancy with more force of contrast, more depth of light and shade; Viola and Miranda, with more aerial delicacy of outline; but there is no female portrait that can be compared to Imogen as a woman—none in which so great a variety of tints are mingled together into such perfect harmony. ”

“ As in Cleopatra and Cressida we had woman determined solely by her sex, so in Imogen we have an embodiment of the highest possible characteristics of womanhood—untainted health of soul, unshaken fortitude, constancy that withstands all trials, inexhaustible forbearance, unclouded intelligence, love that never wavers, and unquenchable radiance of spirit. She, like Marina, is cast into the snake-pit of the world. She is slandered, and not, like Desdemona, at second or third hand, but by the very man who boasts of her favours and supports his boast with seemingly incontrovertible proofs. ”

“ By the God that made mankind, Imre—that made it not only male or female but also as We are... I do not think I did!"
"But he, he thought otherwise! He heard my confession through with ever more hostile eyes, with an astonished unsympathy... disgust... curling his lips. Then, he spoke—slowly—pitilessly: '... I have heard that such creatures as you describe yourself are to be found among mankind. I do not know, nor do I care to know, whether they are a sex by themselves, a justified, because helpless, play of Nature; or even a kind of logically essential link, a between-step.... ”

“ A vague, absurdly alarming sense of presage grew upon him as his eyes went from this face to Imogen's—so still, so cold, so unanswering, lightened, as if from a vail of heavy cloud, by that stealthy, baleful, illuminating glance. In Imogen's whole bearing he read renouncement, but renouncement, in her hand, would assuredly prove a scourge for her mother's shoulders. For the time that they must be together, she and her mother, her sense of her own proved rightness would be relentless, as inflexible as and as relentless as her sense of bitter wrong. ”

“ It is true, that the conjugal tenderness of Imogen is at once the chief subject of the drama, and the pervading charm of her character; but it is not true, I think, that she is merely interesting from her tenderness and constancy to her husband. We are so completely let into the essence of Imogen's nature, that we feel as if we had known and loved her before she was married to Posthumus, and that her conjugal virtues are a charm superadded, like the color laid upon a beautiful groundwork. ”

“ Imogen saw Posthumus and knew him, though he was in the disguise of a peasant; but he did not know her in her male attire: and she knew Iachimo, and she saw a ring on his finger which she perceived to be her own, but she did not know him as yet to have been the author of all her troubles: and she stood before her own father a prisoner of war.
Pisanio knew Imogen, for it was he who had dressed her in the garb of a boy. "It is my mistress," thought he; "since she is living, let the time run on to good or bad." ”

“ Imogen (or, as the boys called her, Fidele) became the doting-piece of her brothers, and she scarcely less loved them, thinking that but for the memory of her dear Posthumus, she could live and die in the cave with these wild forest youths; and she gladly consented to stay with them, till she was enough rested from the fatigue of travelling to pursue her way to Milford-Haven. ”

“ But the “rustic mountaineer” had no intention of yielding, and it was the head of the foolish Cloten that presently paid the penalty for its owner’s blustering insolence.
Safe in the love and protection of her unknown brothers, Imogen had lived for some few days in their cave, making bright the rude dwelling with little womanly graces. Her new friends had taken her straight to their hearts, and in especial Arviragus, the younger Prince, felt for [Pg 414] this stranger a deep attachment which he was unable to explain. ”

“ You, who appear the leader of the throng, your brow is smooth, your eyes are gentle and serene, and the bloom of youth still dwells upon your face. Oh,” added the apprehensive Imogen, and she threw herself upon her knees—“do not bely the stamp of benevolence and clemency that nature has planted there. ”

“ Then, when he stands astonished at the unexpected phenomenon, wrest from him his potent wand. Invoke not the unhallowed spirits of the abyss; invoke the spotless synod of the Gods. Strike with his rod the walls of his palace, and they shall turn to viewless air; the monster shall be deprived of all his riches, and all his accumulated pleasures; and thou and thy Imogen, delivered from the powers of enchantment, shall be, for one long, uninterrupted day, happy in the enjoyment of each other. ”

“ In the eagerness of Imogen to meet her husband there is all a wife's fondness, mixed up with the breathless hurry arising from a sudden and joyful surprise; but nothing of the picturesque eloquence, the ardent, exuberant, Italian imagination of Juliet, who, to gratify her impatience, would have her heralds thoughts;—press into her service the nimble pinioned doves, and wind-swift Cupids,—change the course of nature, and lash the steeds of Phœbus to the west. Imogen only thinks "one score of miles, 'twixt sun and sun," slow travelling for a lover, and wishes for a horse with wings ”

“ Though the greatest hazards are to be encountered in the cause of innocence and honour, the conduct we should pursue is therefore ambiguous, and our success involved in uncertainty and darkness. Oh Imogen, I may now behold thee for the last time. The moment we sally from this retreat, I may be discovered by that enemy from whom we have so much to fear. I may be confined to all the wantonness of inventive torture, and that beauteous form, and the smiles of that bewitching countenance may be torn from these longing eyes for ever. ”

“ Imogen's nose was too small; neat rather than beautiful. Her eyes, with the porcelain-like quality of their white, the jewel-like color of their irises, were over-large; and when she smiled, which she did often, though with more gentleness than gaiety, she showed an over-spacious expanse of large white teeth. For the rest, Imogen's figure was that of the typical well-groomed, well-trained, American girl, long-limbed, slender, rounded; in her carriage a girlish air of consciousness ”

“ Immanuel transformed the chaste, closely-veiled maiden muse of Hebrew poetry into a lightly-clad dancer, who attracts the attention of passers-by. He allows his muse to deal with the most frivolous and indelicate topics without the slightest concealment or shame. His collection of songs and novels tends to exert a very pernicious and poisonous effect upon hot-blooded youth. But Immanuel was not the hardened sinner, as he describes himself, who thought of nothing but to carry on amours, seduce the fair, and deride the ugly. ”