Jean-Henri Riesener

Definition and stakes

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  The Amazing Interlude

“ It was easy to count the revolutions by the red wing. Nine times it turned, and stopped. After five minutes or so it turned again, thirty times. Henri smiled: an ugly smile.
"A good guess," he said to himself. "But it must be more than a guess."
His work for the afternoon was done. Still with the bent-kneed swing he struck back to the road, and avoiding the crossroads, went across more fields to a lane where Jean waited with the car. Henri took a plunge into the canal when he had removed his French uniform, and producing a towel from under a bush rubbed himself dry.
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Source: Gutenberg

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  The Amazing Interlude

“ He tried to exercise to limber it, and grew almost weak with pain.
At six o'clock, when Jean had not come, Henri resorted to ways that he knew of and secured a car. He had had some coffee by that time, and he felt much better—so well indeed that he sang under his breath a strange rambling song that sounded rather like René's rendering of Tipperary. The driver looked at him curiously every now and then.
It was ten o'clock when they reached La Panne. Henri went at once to the villa set high on a sand dune where the King's secretary lived.
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Source: Gutenberg

Esther Singleton,  French and English furniture

“ The commode on Plate XLVIII. is also one of Riesener’s works.
David Roentgen is often known as “David.” He was born near Coblentz, and seems to have kept his shop there, visiting Paris to dispose of his wares; and, obtaining the interest of Marie Antoinette, he established a shop in Paris. He introduced a new kind of marquetry, in which the shadows and shading were actually done by pieces of wood; and, as a journalist of the period said, was done like “stone mosaic.” The woods he used for his marquetry work were lighter and gayer than Riesener’s.
”
Source: Gutenberg

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