Metropolitan Opera House

“ The audience gave no sign that the current of their enchantment had been broken, nor did the reader or the manipulator of the rescuing knight pause for a second in their rôles.
The theaters on the Bowery and in its vicinity advertise Italian opera and occasional revivals of serious drama, but more obvious at present are the lurid advertisements of sensational melodrama. We are plainly under the influence of Broadway and the “movies,” but at the Metropolitan Opera House our neighbors can always be seen in great numbers among the “appreciators” at the top of the house. ”

“ I believe that in coming years by my own work and that of Dickson, Muybridge, Marié and others who will doubtless enter the field, that grand opera can be given at the Metropolitan Opera House at New York without any material change from the original, and with artists and musicians long since dead. ”

“ It was now announced by the Royal Italian Opera Company, Limited, that on the completion of the new Metropolitan Opera-house, which Gye felt so sure of obtaining, the Academy would be closed, so that a monopoly of Italian Opera would thus be established in New York. ”

“ The establishment of a National Opera-house in London has long been contemplated, the obstacle to which, however, was the impossibility of finding a suitable site, and it was not until that vast undertaking was carried out by the Metropolitan Board of Works, which has resulted in reclaiming from the Thames large tracts of land, and in throwing open the great thoroughfare of the Victoria Embankment, that a site sufficient to meet the requirements of a National Opera-house could be obtained ”

“ Eighty per cent of the music heard there is trivial in comparison with either good jazz or good symphonic music; ninety per cent of the acting is preposterous; and the settings, costumes, and properties are so far below popular musical comedy standards that in the end Urban and Norman-Bel Geddes have had to be called in to save them, and haven’t been given scope or freedom enough to succeed. The Metropolitan is, I am told, the finest opera house in the world and loses money because it is still several leaps ahead of its clientèle which insists on more Puccini and no Coq d’Or. ”

“ Theatres, Clubs, Hotels. New York has about 40 theatres, in addition to almost as many more variety houses and concert halls. The largest is the Metropolitan Opera House, opened in 1883, which occupies the block bounded by Broadway, Seventh Avenue, Thirty-ninth and Fortieth streets. It seats 3200 persons. Among the largest and most luxurious of the theatres, most of which are on or near Broadway, are the Broadway, at Forty-first Street ”

“ In the United States the Opera has always lived the life of an exotic. Finding congenial soil in some of the larger and wealthier cities, it has there flourished for a while, then suddenly drooped and withered. Large and elegant theatres, to which have been applied the dignified title of Academy of Music or Opera House, have been built, it having been, in some cases, the primary purpose of the owners to devote the establishment solely to representations of the lyric drama. ”

“ The new Opera House, commenced under the Empire and finished under the Republic, is the most complete building of the kind in the world and in many respects the most beautiful. No European capital possesses an opera house so comprehensive in plan and execution, and none can boast an edifice equally vast and splendid. ”

“ The music is as stirring, the company as numerous, the spirits as light, the women as beautiful, as ever they were in the old days of prosperity, when the Opera-House was bright and fresh as paint and paper, tinsel and brocade, could make it. To the eyes which are not dazzled by the sight of so much youth and beauty and jollity, the broken stucco of the mouldings and the faded, musty cushions of the chairs may be visible. ”

“ It has not, however, the brilliancy or fascination of the Metropolitan audience in New York, nor of Covent Garden. The Teatro Real is a mediocre building, in the first place; and neither the toilettes and jewels of the women nor the distinction of the men can compare with the splendid ensemble of an English or American opera audience. While the music, after Vienna, is execrable, and merits the indifference the Madrileños show it. ”

“ It was not alone the official title of the French institution, popularly spoken of as the Grand Opéra, which was in the minds of the promoters of the New York enterprise—the new opera house was to be a veritable academy of music, an educational institution. Not only was fashionable society to have a place in which to display and disport itself, but popular taste and popular knowledge were to be cultivated. ”

“ About all is the atmosphere of history, tradition, and the aura of a genuinely free people. The Royal Opera House itself has a particular fascination for me. So far as I am concerned, there is not the slightest incongruity in the fact that its façade looks out on a police station and police court and that it is almost otherwise surrounded by a garden market. ”

“ Through its deep involvement with artists, audiences, and patrons, and with the voluntary assistance of the members of its National Council, the Metropolitan Opera has contributed invaluably to the growth of an American opera community whose vitality and brilliance are acclaimed around the world. ”

“ No person of good taste ever goes to a theatre to look at the fronts of the boxes. Comfortable and roomy seats, perfect cleanliness, decent and fitting curtains and other furniture, of good stuff, but neither costly nor tawdry, and convenient, but not dazzling, light, are the proper requirements in the furnishing of an opera-house. ”

“ The Opera House was a symbol to me—it made my secret ambition to be an actress seem more than a dream—and I had had thrilling afternoons there enjoying matinees of the many road companies as well as at our own McCourt Hall, which had been the theatrical center before the Opera House was built. ”

“ The best way of approaching the question is to consider the basis on which our operatic institutions grew. We started with the institutions because, as always in the United States, there were people in those days who did not wish to be deprived in the New World of all they had been able to enjoy in the Old. The ever-present snobs gradually joined their ranks, and at the time the Metropolitan Opera was founded, twenty years after the Civil War, their influence was at its height. ”

“ It is a peculiarity of her Majesty’s Theatre that whether the “house” be a good one or a bad one, there are always, before the termination of the first act of the opera, some occupants of the pit who are compelled to content themselves with standing-room.
Opinions are divided as to the place in the enceinte of the magnificent theatre where the greatest enjoyment of the performance can be obtained. To some, a box on the grand tier—vast, roomy, with space for six to sit abreast—is considered the superlative of operatic felicity. ”

“ Modern manners, late dinners, ball-dresses, and the Houses of Parliament, are doubtless serious obstacles to the higher classes of the nobility and gentry frequently attending the theatre; but the example of the Opera-house, which is crowded night after night with the élite of that very class, is sufficient to demonstrate, that all these difficulties can be got over, when people of fashion make up their minds to go to a place of amusement, even where not one in ten understand the language in which the piece is composed. ”

“ Both of these were filled, exclusively, with the highest classes of society; all, without exception, in full dress, then universally worn. The audiences thus assembled were considered as indisputably presenting a finer spectacle than any other theatre in Europe, and absolutely astonished the foreign performers, to whom such a sight was entirely new. At the end of the performance, the company of the pit and boxes repaired to the coffee-room, which was then the best assembly in London; private ones being rarely given on opera nights; and all the first society was regularly to be seen there. ”

“ The general history of the Metropolitan Opera has already been outlined. Opera in other cities has gone through much the same train of events, slowly changing indifference to interest, and having now arrived at the stage of independence made possible by a demand that grows steadily in volume and intelligence. The number of performances in each city shows a consistent annual growth. ”

“ He trusted her to make the best of it.
"Why didn't you ask me to come and see your rooms after we'd had lunch at Wrigglesworth's?" she said presently and, expecting simplicity, counting upon understanding, even he was surprised.
"Ask you there? To those rooms? Over the little greengrocer's shop? Up those uncarpeted wooden stairs?"
And then they found themselves under the portico of the Opera House; in another moment in the crush of people in the vestibule; then making their way round the cheaply-papered boxes along the ugly little passages to the stage-box on the third tier. ”

“ It is more likely that some of our rich men will at last come to see the folly of founding so many new colleges, and devote their money to other uses. Had Mr. Samuel Wood left his money for the establishment of a permanent first-class opera instead of a conservatory, he would have done a wiser thing. The importance of a good opera-house as an institution for promoting musical culture is not yet generally understood—naturally enough, considering the wretched performances we have so far been obliged to endure. ”

“ The reputation this theater has made for itself, and the fact that it is known as the pioneer Opera House in the West, render it unnecessary to offer any extended description. While theaters have been erected, calculated to surpass in beauty and costliness Tootle's Opera House, few, to-day, can legitimately claim equality, and none can surpass it in all that pertains to the arrangement of a first-class place of amusement. ”

“ Operatic music also receives careful attention. Enormous subsidies are given to secure the principal singers of Europe at the Italian, French, and German theaters; but the most lavish outlay is upon the national opera: it is considered a matter of patriotism to maintain it at the highest point possible. The Russian Opera House is an enormous structure, and the finest piece which I saw given there was Glinka's "Life for the Czar." ”

“ During the Regency, half the audience at the Opera went there drunk; and almost until the period of the Revolution the abbés, the mousquetaires, and the grands seigneurs, quarrelled, fought, and behaved in many respects as if the theatre were, not their own private house, but their own particular tap-room. Music profited by the Revolution, in so far that the privileges of the Académie were abolished, and, as a natural consequence, a number of new musical works produced at a variety of theatres which would otherwise never have seen the light ”

“ The beautiful Opera-house, a marvel of art and architecture, was brilliantly full; all the fairest women and most distinguished men occupying the boxes and stalls, while round and round, in a seemingly never-ending galaxy of faces, and crowded in the tiers of balconies above, a mixed audience had gathered, made up of various sections of the populace which filled the space well up to the furthest galleries. ”

“ Should the foreigner be fortunate enough to possess a friend with one of these seats who is willing to sacrifice a concert for his benefit, he will hear a marvellous orchestra. For a short time the scene of this unique harmony of sound was shifted from the neighbourhood of the Upper Boulevards to the boards of the Opera-house, and the result was sheer disaster. The orchestra of the Conservatoire is just suited to its own select little hall, but it is too delicate, too perfect, for transposition to a big theatre like the Opera-house of Paris. ”

“ Only the glamour of social prestige could save it. And, just as opera needed society, so did society need opera. It was out of the question, of course, that persons of social pretensions should patronize Palmo's or Niblo's or Castle Garden or any other place geographically outside the social sphere and appealing largely to the common herd. Society is a jewel which shines only in an [Pg 128] appropriate setting. Hence one hundred and fifty gentlemen of New York's social (and financial) élite got together and guaranteed to support Italian opera in a suitable house for five years. ”

“ Groups of the singers regularly engaged in the opera house stand in the wings, and you feel a nameless hostility emanating from all of them, especially from the one whom you are going to try to supplant. The theatre is like a cavern, and the acoustic is of course totally unknown to you. Two or three pale spots down in the orchestra chairs indicate the whereabouts of the director and perhaps the stage manager and first Kapellmeister who have come to hear you. The overhead "rehearsal lights" are very unbecoming and you are quite conscious of it. ”

“ The period is not so remote that we cannot trace the influences of fashion and society in the rise of the first Italian Opera House, if not in its fall. The Park Theater was still a fashionable playhouse when Garcia gave his season of Italian opera in it in 1825-26, but within a decade thereafter the conditions so graphically described by Mr. White, combined with new ambitions, which seem to have been inspired to a large extent by Lorenzo Da Ponte, prompted a wish for a new theater: one specially adapted to opera. ”