Rabelaisian

Definition and stakes

Portrait of George Saintsbury George Saintsbury,  1911 Encyclopædia Britannica (1911)

“ According to a third class, the most distinguished recent representative of which was M. Paul Lacroix, the Rabelaisian legend does not so much err in principle as it invents in fact. Rabelais is the incarnation of the “ esprit Gaulois," a jovial, careless soul, not destitute of common sense or even acute intellectual power, but first of all a good fellow, rather referring a broad jest to a fine-pointed one, and rollicking through life like a good-natured undergraduate. ”
Source: Wikisource

Portrait of Victor Hugo Victor Hugo,  William Shakespeare

“ Rabelais is priest. Castigation, properly understood, begins at home; it is therefore on the clergy that he strikes first. It is something, indeed, to be at home! The Papacy dies of indigestion. Rabelais plays the Papacy a trick,—the trick of a Titan. The Pantagruelian joy is not less grandiose than the mirth of a Jupiter,—jaw for jaw. The monarchical and priestly jaw eats; the Rabelaisian jaw laughs. Whoever has read Rabelais has forever before his eyes this stem opposition: the mask of Theocritus gazed at fixedly by the mask of Comedy.
13. Another, Cervantes, is also a form of epic mockery
”
Source: Gutenberg

Vincent Starrett,  Arthur Machen: A Novelist of Ecstasy and Sin (1918)

“ Don't you perceive that when a certain depth has been passed you begin to ascend into the heights? The Persian poet expresses the most transcendental secrets of the Divine Love by the grossest phrases of the carnal love; so Rabelais soars above the common life, above the streets and the gutter, by going far lower than the streets and the gutter: he brings before you the highest by positing that which is lower than the lowest, and if you have the prepared, initiated mind, a Rabelaisian 'list' is the best preface to the angelic song. ”
Source: Wikisource

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