Stephen Dedalus, James Joyce’s literary alter ego, emerges as a central figure in A Portrait of the Artist as a Young Man and Ulysses, embodying the tensions between artistic aspiration, religious belief, and national identity. His name, evoking the mythological Daedalus, symbolizes a desire to break free from societal limitations, while his journey—from Jesuit education to intellectual exile—reflects Joyce’s own struggles. E. M.
Forster notes Stephen’s role as a “spiritual son” in Ulysses, contrasting his intellectual precision with Bloom’s practical approach to life. Meanwhile, Joyce’s own text portrays Stephen’s struggles with faith and his artistic awakening, such as his epiphany at Dollymount Strand. These depictions, along with references in works by Forster and others, highlight Dedalus as a symbol of the artist’s complex journey between creativity and moral uncertainty.