“ Watching, questioning, listening here, making notes, writing hasty sketches to help keep us going at home—slowly I could feel this place yielding up its inner self, its punch and bigness, endless rush, its feeling of a nation young and piling up prodigious wealth. From the customhouse came fabulous tales of millionaires ransacking the world. Rare old furniture, rugs and tapestries, paintings, jewels, gorgeous gowns poured in a dazzling torrent all that summer through the docks. ”
Customhouse
Definition and stakes
Quotes about “customhouse”
Burton Egbert Stevenson,
Little comrade: a tale of the great war
(1915)
“ The customhouse is at Herbesthal.”“Ten miles!” echoed Stewart in surprise. “The frontier of France?”“Oh, no—the frontier of Belgium.”“But why should they concentrate along the Belgian frontier?” Stewart demanded.“Perhaps they fear an attack from that direction. Or perhaps,” she added, calmly, “they are preparing to seize Belgium. I have often heard it said that Belgium should belong to Germany.”“But look here,” protested Stewart, hotly, “Germany can’t seize a country just because it happens to be smaller and weaker than she is!” ”
Alice Dunbar-Nelson, Violets and Other Tales — Anarchy Alley (1895)
“ Then the railing is reached, and the alley instead of ending has merely given itself an angular twist to the right, and extends three squares further, to a great, pale green dome, and stately entrance.The calmly-thinking, quietly-laboring, cool and conservative world is for the nonce left behind. With the first stepping across Customhouse street, the place widens architecturally, and the atmosphere, too, seems impregnated with a sort of mental freedom, conducive to dangerous theorizing and broody reflections on the inequality of the classes. ”
Awful phenomena of nature! earthquakes (1826)
“ It is imagined that seven-eights of the houses in this city are demolished, and of those which still stand there are not perhaps twenty that will be found tenable. The customhouse, which was built very strong, is not much injured—the house which I occupy is three stories high, and was likewise very strong—it stood the shock without falling, but it was so much injured that I do not intend to sleep in it, especially as we are continually kept in a state of alarm by the frequent shocks which have daily taken place ever since the 26th ult. ”
J. Ross Browne,
Crusoe's Island: A Ramble in the Footsteps of Alexander Selkirk
“ The Custom-house is an old military building, with a roof that falls to pieces every winter, and a set of doors and windows through which both wind and rain have free access. The only article of public property about the premises that yet sticks together is a tremendous iron safe, in which the revenue is going to be kept—as soon as it is collected. ”
Elsie De Wolfe,
The House in Good Taste
“ A New England farmhouse, for instance, may be an inspiration to the owner, and you can understand her quest of old fashioned rush bottomed chairs and painted settles and quaint mirrors and blue homespun coverlets. You can understand the man who falls heir to a good, square old Colonial house who wishes to keep his furnishings true to the period, but you cannot understand the crying need for Eighteenth Century furniture in a modern shingle house, or the desire for old spinning wheels and battered kitchen utensils in a Spanish stucco house, or Chippendale furniture in a forest bungalow. ”
Marie Mattingly Meloney,
Better Homes in America: Plan Book for Demonstration Week October 9 to 14…
“ Changing an empty house into a furnished, restful place of beauty is no less a task than transforming a piece of paper into a lovely picture. In one sense, interior decoration is a creative art. It is true that decorators, or persons furnishing houses, do not weave their own hangings, build their own furniture, or design their own wall-paper, but they select the things they require from shops, where they have been designed by others, and choose in such a way as to make a beautiful and harmonious whole. ”
Mary Harrod Northend,
Remodeled Farmhouses
“ If you have a real need for the features that you find in some other house, you should adapt them to the spirit of the building you are remodeling.If it cannot be made to harmonize with the other motives, it is possible that you are attempting to make a home out of a building that is not suited to your style of life. But it is because these Colonial farmhouses meet the requirements of the average American families so adequately that they are so interesting to remodel. Each house owner must decide for himself what is the main element in his existence and reclaim the house accordingly. ”
Emily Burbank, The Art of Interior Decoration
“ If your rooms are to serve as a home, give them a winning, human quality, keep before your mind's eye, not royal palaces which have become museums, but homes, built and furnished by men and women whose traditions and associations gave them standards of beauty, so that they bought the choicest furniture both at home and abroad. In such a home, whether it be an intimate palace in Europe, a Colonial mansion in New England, or a Victorian interior of the best type, an extraneous period is often represented by some objet d'art as a delightful, because harmonious note of contrast. ”
Mary Harrod Northend,
Colonial Homes and Their Furnishings
“ The colonists understood harmony in home decoration, and their wall hangings as well as their furniture were carefully chosen. They purchased papers to suit their apartments, and the colors were selected with a view to the best effect, so that the soft white of the woodwork might be in keeping with their pictorial value. Consistency is the keynote of the colonial interior, and it is this feature that has given to homes of this type that touch of distinction that no other period of architecture possesses. ”
Cottages; or, Hints on Economical Building (1884)
“ The ends were screened off by wooden partitions, the kitchen at one side, the private apartments at the other. The Hall was used as a dining-room and sitting-room, and the household would sleep there, both tables and beds being movable. Later, the tendency arose to have separate apartments for different purposes, and the number of rooms in a house multiplied. In modern planning strict privacy is essential, and each room must be accessible from the halls and stairways. As soon as a room becomes a mere passage to another, it loses its chief value. ”
J. E. Panton, Suburban Residences, and How to Circumvent Them
“ When, therefore, we have duly circumvented the draughts and dangers which await us in the ordinary suburban house, the next thing we have to consider is either how to paint and paper and furnish, or how to decorate to suit the goods we may already possess. If we have already got our furniture, the paint and paper must be bought with an eye to those. Yet as a rule it is so easy to re-cover dining-room furniture that no one should be debarred from having a pretty room because they have ugly seats to their chairs, or own perchance a set of frightful curtains. ”
Mary Harrod Northend,
Historic Homes of New England
“ The present mansion, remodelled, is to-day a famous landmark. It is considered an excellent example of a colonial home, with its pitched roof, its huge stone chimneys covered with mortar, its dormer windows, and its Georgian porch. One enters through the wide doors into a noble hallway extending entirely through the house, the woodwork showing fine panelling of white pine. The box stairs rise by easy treads to the wide landing, where a colonial window gives light to the apartment. ”
Paul M. Hollister, Famous Colonial Houses (1921)
“ Either course will bring you before a wide low house of yellow brick, with green blinds and white woodwork and English ivy. Directly ahead of you, across the circle of the driveway, the square main section of the house, capped by a tower, rises above a bright portico. To left and right the house throws out long extensions of even height, terminating in wings set endwise to you, like double-faces in the game of dominoes. Your first impression will be one of unusual size, your next of flatly rectangular simplicity. ”
Candace Wheeler,
Principles of Home Decoration, With Practical Examples
“ In those early days it was not uncommon, it was indeed the custom, for some one of the men who were called "journeymen cabinet-makers"—that is, men who had served their time and learned their trade, but had not yet settled down to a fixed place and shop of their own—to take up an abode in the house with the family which had built it, for a year, or even two or three years, carrying on the work in some out-house or dependence, choosing and seasoning the wood, and measuring the furniture for the spaces where it was to stand. ”
Elsie De Wolfe,
The House in Good Taste
“ When you do begin to buy furniture, buy compactly, buy carefully. Remember that you will not require the furniture your mother had in a sixteen-room house. You will have no hall or piazza furnishings to buy, for instance, and therefore you many put a little more into your living-room things. The living-room is the nucleus of the modern apartment. Sometimes it is studio, living-room and dining-room in one. Sometimes living-room, library and guest-room, by the grace of a comfortable sleeping-couch and a certain amount of drawer or closet space. ”
J. Alfred Gotch, The English Home from Charles I. to George IV (1918)
“ It was very seldom that any great ingenuity was required of the designers. Two, three, or in the larger houses, four sitting-rooms, a hall and staircase, a kitchen, back kitchen, and pantries usually completed the accommodation of the ground floor; the floor above was occupied by bedrooms, which, if insufficient, were supplemented by others in the attic. There were no bathrooms, cloak-rooms, or other sanitary conveniences; it was not necessary to provide a fireplace to each room. The problems of design were therefore much simpler than those of the present day. ”
Charles Franklin Warner, The Library of Work and Play: Home Decoration
“ It is certainly true that nature cannot be left wholly to herself in the neighbourhood of the village or city home. If there be a garden, as much forethought must be exercised in planning it and as much pains taken in developing and caring for it as is called for in working out any form of interior decoration. There are problems of design and construction suggested by the need of suitable chairs and settles for the piazza, comfortable hammocks and couches for the balcony, awnings for the windows on the sunny side, and the right furniture, perhaps, for an out-door dining-room. ”
Mary Harrod Northend,
Historic Homes of New England
“ We turn to old houses as we turn to old books—for information—for inside old mansions is generally a wealth of furniture and china, the history of which has a never-dying charm to the collector and the lover of the antique. These houses are rapidly passing away, and it is only now and then that we come across one where furniture may be found that covers the periods between the Chippendale and the Empire. ”
Mary Harrod Northend,
Remodeled Farmhouses
“ Venetian blinds or slat-curtains shade the windows in the living-room and throughout the house.On the opposite side of the entrance hall is the reception-room. The same treatment has been accorded here as in the living-room, and the furnishings are especially harmonious and well arranged. The long, low lines of an Adam sofa, a slender-legged desk, and chairs and table, each one a noteworthy masterpiece of cabinet making, are admirably chosen to add apparent height to the low stud, but the monotony of too much light and low furniture is broken by a tall grandfather clock placed in the corner. ”
Esther Singleton, French and English furniture
“ As the entrance, or hall, of any well built house ought always to be expressive of the dignity of its possessor, so the furniture ought to be designed in a manner adapted to inform the stranger, or visitant, where they are, and what they may expect on a more general survey of every apartment.“As the hall is a general, or ought to be a general opening to all the principal apartments, it should be furnished so as not to be mistaken for the most superb division of the structure, or where they may expect to meet the nobler person who resides in it. ”
Mary Harrod Northend,
Remodeled Farmhouses
“ Every piece in this house is genuine, for they all are heirlooms or pieces that have been carefully chosen, since the owner is an expert in determining period and correct types. It is a well-known fact that to-day one has to be a careful student of furniture not to be deceived. The popularity of the Colonial period, more especially since the vogue of the modified Colonial house, has led many a fakir to reproduce the lines of the genuine antique. ”
Washington Irving,
Little Britain
“ Here may often be found the family of a petty tradesman, with its trumpery furniture, burrowing among the relics of antiquated finery, in great, rambling, time-stained apartments, with fretted ceilings, gilded cornices, and enormous marble fireplaces. The lanes and courts also contain many smaller houses, not on so grand a scale, but, like your small ancient gentry, sturdily maintaining their claims to equal antiquity. ”
Mary Harrod Northend,
Remodeled Farmhouses
“ Paint and paper and rugs have effected an interior transformation that is most attractive. There are no doors in the house, wide openings making it appear as though it were one large room.The hallway is entered from the Colonial porch and is unique because of its spaciousness. The stairs are at the further end, opposite the door. The Colonial atmosphere has been maintained in the wall hangings, the braided rag mats, and the old furniture. ”
Mary Harrod Northend,
Colonial Homes and Their Furnishings
“ At no time since the days of the Renaissance has interest been so keen in interior decoration as it is at the present day, not only as regards the main living rooms of the home, but the sleeping apartments as well. This has resulted in a revival of old-time features, and the chamber fittings of the present in many cases are similar in type to those of early times, when purely classical designs were in vogue,—models that have never been surpassed in beauty by later designers, though many a fine piece of furniture has been made since then by expert cabinet-makers. ”
Walter Crum Watson, Portuguese Architecture
“ Now that factory chimneys rise close on either side the charm is spoiled, but once the house, with its turrets, its vase-laden parapets, its rococo windows, and the slates painted pale blue that cover its walls, must have been a fit setting for the artificial civilisation of a hundred and fifty years ago, and for the ladies in dresses of silk brocade and gentlemen in flowered waistcoats and powdered hair who once must have gone up and down the terrace steps, or sat in the shell grottoes of the garden. ”
Fred. W. Burgess, Chats on Household Curios
“ We are apt to wonder sometimes what it is that makes the house homelike, and why there are such strong attachments to the old home. Surely it is the familiar aspect of the furnishings, rather than the bricks and mortar, that makes the old home so dear! To the original owners there was an individuality about every piece, although to the collector the same characteristics of well-known objects tell that in days gone by the cabinet-maker followed stereotyped lines, and there were but few who moved out of the regular ruts and made distinctive designs in home ornaments and sundry furnishings. ”
Nathaniel Hawthorne,
Scarlet Letter
(1850)
“ One of the most remarkable occasions, when the habit of bygone days awoke in me, was that which brings it within the law of literary propriety to offer the public the sketch which I am now writing. In the second story of the Custom-House, there is a large room, in which the brick-work and naked rafters have never been covered with panelling and plaster. The edifice—originally projected on a scale adapted to the old commercial enterprise of the port, and with an idea of subsequent prosperity destined never to be realized—contains far more space than its occupants know what to do with. ”
Renee Richmond Huntley Ormsbee, If You're Going to Live in the Country
“ Here the new owner, or his architect, had the discretion to preserve as much as possible of the past. The old mill owner's counting room, on the lower floor, is now the library and, in almost untouched condition, is complete even to the cast-iron stove that once warmed it.Converting buildings originally designed for other uses may take a still different course. A house, too small in itself for present day use, can form the nucleus of a country home. ”
