Kettle drum

“ Anyone who has seen the band of the Life Guards must have admired (as I do) the splendid personage who plays the kettle-drums. These are not of the ordinary drum-form, being hemispherical instead of cylindrical, and having but a single membrane. They have a right to be called musical instruments since their pitch is alterable: [96d] I have often admired p. 97the drummer in an orchestra tuning his instrument at a change of key. One sees him leaning over his children like an anxious mother until he gets his large babies into the proper temper. ”

“ This drum had been heard from before. "It's put away," he mumbled; hastily adding, "That's a snare drum, anyway. What we need is a bass drum!"
The mere thought of a drum was annoying to his father, who declared in a menacing tone: "I hereby warn you that if I ever find a drum on the premises, snare, bass, kettle or any other kind, I'll kick a hole through it! Now don't forget that!"
"Kettle? Did you say kettle?" Sube asked eagerly. "What's a kettle drum?" [Pg 77]
"Never mind what it is," retorted his father. "The less you know about drums, the better off you'll be." ”

“ The development of modern orchestral music has given dignity also to the bass drum, which, though definite pitch is denied to it, is now manipulated in a variety of ways productive of striking effects. Rolls are played on it with the sticks of the kettle-drums, and it has been emancipated measurably from the cymbals, which in vulgar brass-band music are its inseparable companions. ”

“ In the case of the kettle-drum we have a skin stretched over a kettle or basin, which by being struck at a single point sets the entire surface vibrating with a muffled sound. Though a musical sound, it is one which from its very nature, as belonging to such an instrument, it is impossible to bring either to clear definition or any considerable degree of variety. We find a difficulty of an opposite type in the case of the harmonica and the bells of glass which are set in vibration in it. ”

“ But now the diameter is increased and the length of the cylinder lessened. The heads are tightened by cords and braces like the side-drum first described, or by rods and screws, or on Cornelius Ward's principle as described for kettle-drums. It is used in military bands and orchestras. There is another sort of bass-drum called a Gong-drum, from its form, which is similar to a gong or to a gigantic tambourine. It is very convenient in orchestras where space is scarce; but it is inferior to the ordinary bass-drum in quality of tone. ”

“ What could you do with “Dies iræ—dies illa,” without the kettle-drum? I played it at Vienna in Don Giovanni, the chapel-master Mozart himself directing. In the spirit scene, Louis, where the statue has ended his first speech, and Don Giovanni in consternation speaks to his attendants, while the anxious heart of the appalled sinner is throbbing, the kettle-drum thundering away—” Here Pirad began to sing with tragical gesticulation. “Yes, Louis, I beat the kettle-drum with a witness, while an icy thrill crept through my bones: and for all that, the kettle-drum is a useless instrument! ”

“ A small knob, not exceeding 11⁄4 inch in diameter, entirely made of felt on a flexible stick, answers very well. India-rubber discs are not so good. Worst of all are large clumsy knobs of cork, covered with leather, as they obscure the clear ring of the kettledrum, so different from the tone of a bass drum.
Very large drums, going below F, have not a good musical tone, but mere thunder. Thin transparent skins have a better tone than the opaque white ones. The right place to strike a kettle-drum is at about one-fourth of its diameter. ”

“ The insurgents amounted to 20,000 men, but were quickly defeated by the Earl of Warwick, whose troops killed more than 200 of the insurgents.
Kettle-drum. A drum formed by stretching vellum over the circular edge of a hemispherical vessel of brass or copper. This instrument, which gives forth a sharp, ringing sound, is used in Europe by regiments of cavalry and horse-artillery in lieu of the ordinary cylindrical drum, which would, from its shape, be inconvenient on horseback. Kettle-drums are not used in the U. S. military service. ”

“ The drum is nearly always improvised from an iron camp kettle, partially filled with water and covered with a piece of cloth, well soaped and drawn as tight as possible. The drumstick does not terminate in a ball, as with us, but is curved into a circle, and the stroke is not perpendicular to the surface, but is often given from one side to the other. ”

“ A pair of timpani consists of a large and a small drum. Three or more drums are employed with additional drummers on exceptional occasions. As the timpanist must be prepared to vary the tuning of his drums during performance, he must possess a fine ear, if not, indeed, absolute pitch. ”

“ On the other hand, Jean Louis Nicode, in the “Phosphorescent Lights” movement of his symphonic ode “The Sea”—a movement of purely descriptive and imitative music—calls for a concealed brass band consisting of 3 trumpets, 7 trombones, and a bass tuba, together with 1 piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 tenor tubas, 1 bass tuba, 2 pairs of kettle-drums, 1 pair of cymbals, 1 triangle, 1 bass drum, 1 gong, 1 set of bells, 2 harps, and the usual strings. ”

“ The tuning of the kettledrum is an operation requiring time, even when the screw-heads, as is now usual, are T-shaped; to expedite the change, therefore, efforts have been made in all countries to invent some mechanism which would enable the performer to tune the drum to a fixed note by a single movement. The first mechanical kettledrums date from the beginning of the 19th century. ”

“ The origin of the kettledrum is remote and must be sought in the East. Its distinctive characteristic is a hemispherical or convex vessel, closed by means of a single parchment or skin drawn tightly over the aperture, whereas other drums consist of a cylinder, having one end or both covered by the parchment, as in the side-drum and tambourine respectively. The Romans were acquainted with the kettledrum, including it among the tympana; the tympanum leve, like a sieve, was the tambourine used in the rites of Bacchus and Cybele. ”

“ These limits comprise all the notes of artistic value that can be obtained from kettledrums. When there are but two drums—the term “drum” used by musicians always denotes the kettledrum—they are generally tuned to the tonic and dominant or to the tonic and subdominant, these notes entering into the composition of most of the harmonies of the key. Formerly the kettledrums used to be treated as transposing instruments, the notation, as for the horn, being in C, the key to which the kettledrums were to be tuned being indicated in the score. Now composers write the real notes. ”

“ The only musical instrument in use among these people is the universal drum505 or tambourine (kĕlyau) , consisting of a membrane stretched over a hoop with a handle on one side, and used from Greenland to Siberia. It is always accompanied by the voice singing or chanting. The player holds the handle in his left hand with the membrane away from him, and strikes alternately on each side of the rim with a short heavy piece of ivory, or a long slender wand, rotating the drum slightly at the same time to meet the stroke. ”

“ Bentley and Jackson's Drum-Washer.—This drum-washer, for use in the rag-engine, is shown in Fig. 43. It has cast-iron ends, strong copper buckets, shaft, stands, lifting-gear, and driving-wheel, but instead of the drum being covered with the ordinary strong brass backing-wire, it is covered with their improved "honey-comb" backing-plates, over which the fine wire is wrapped as usual. The honey-comb backing consists of tough rolled brass or copper plates, curved to suit the diameter of the drum, and secured to its ends by cross-bars. ”

“ The roll is generally caused to rotate at a speed of about 230 revolutions per minute, causing the water and rags to circulate in the engine and to be constantly under the action of the knives. In the other division F F of the trough is the drum-washer H, which, being covered with fine gauze wire, allows the water to enter, but keeps back the fibrous material. The ends of the drum are formed of two discs of wood, generally mahogany, upon which the coarse gauze is fastened as a backing, and this is covered with the fine wire gauze. ”

“ At regular intervals in the two large hoops are bored holes through which passes an endless cord stretched in zig-zag round the cylinder and connecting the two hoops. The tension of the vellum is controlled by means of leather braces which are made to slide up and down the zig-zag of cord, slackening or tightening the large hoops, and with them the vellum, at the will of the performer. Systems of rods and screws are also used for the purpose. The bass drum is mounted on a stand when used in the orchestra. ”

“ The drum, roughly speaking, is the oldest musical instrument. It is of great interest to us inasmuch as it still holds a place of honor in the modern orchestra. It is the king of the group of percussion instruments whose object it is, not to produce a tone, but an accent.
No tribe of savages has been discovered but what is possessed of a drum of some sort. The most usual form of construction of the primitive drum has been that of a section of tree trunk, hollowed out, and covered with skin at each end. Certain trees, such as the bread-fruit tree or the bamboo, render this peculiarly feasible. ”

“ The roll is produced by striking two blows alternately with each hand quite regularly and very rapidly, the result being a rattling tremolo. This roll (“daddy-mammy”) is very difficult to acquire, and requires long practice. The side drum can be muffled by loosening the snares or by inserting a piece of silk or cloth between the snares and the parchment. An impressive effect is produced by a continued roll on muffled drums in funeral marches. ”

“ The men in the crowd began to subside, sitting and squatting on the ground, with their hats between their knees. And now it was a little sea of dark, proud heads leaning a little forward above the soft, strong male shoulders.
Near the wall was a clear circle, with the drum in the centre. The drummer with the naked torso stood tilting his drum towards him, his shoulders gleaming smooth and ruddy in the flare of light. Beside him stood another man holding a banner that hung from a light rod. ”

“ In the bottom of the pan is a small vent-hole, which prevents the head being rent by the concussion of air. The vellum head may thus be slackened or tightened at will to produce any one of the notes within its compass of half an octave. Each kettledrum gives but one note at a time, and as it takes some little time to alter all the screws, two or three kettledrums, sometimes more, each tuned to a different note, are used in an orchestra or band. For centuries kettledrums have been made and used in Europe in pairs, one large and one small ”

“ A roll is sometimes played by holding a short stick, furnished with a knob at each end, in the middle and striking in quick succession with each knob alternately; two kettledrum sticks answer the purpose still better. It is understood that the cymbals play the same music as the bass drum unless the composer has written senza piatti over the part. Wagner did not once score for the bass drum after he composed Rienzi, but Verdi, Gounod, Berlioz and Sullivan used it effectively. The bass drum was formerly known as the long drum, the cylinder being long in proportion to the diameter. ”

“ In the drummer boys’ quarters, drums were used for writing stands and card playing tables, while often a checkerboard would be sketched on the head of the drum and for men buttons would be used, and with plenty of rations we managed to be quite comfortable except when on picket. ”

“ On the right of the old man marches a boy, hardly in his teens, whose drum keeps time to the beat of the other. His face is upturned to the old man, as though he were his grandfather, as if to question perhaps the route or the danger ahead, but still with a look of rapt inspiration. No shade of fear lurks in his calm eyes, while the ‘rub-a-dub’ of his little drum sounds as clear and distinct as the heavier roll of the aged drummer. ”

“ Furthermore, the Egyptians had, as far as is known to us, two kinds of trumpets; three kinds of tambourines, or little hand drums; three kinds of drums, chiefly barrel-shaped; and various kinds of gongs, bells, cymbals, and castanets. The trumpet appears to have been usually of brass. A peculiar wind-instrument, somewhat the shape of a champagne bottle and perhaps made of pottery or wood, occurs only once in the representations transmitted to us.
The Egyptian drum was from two to three feet in length, covered with parchment at both ends and braced by cords. ”

“ The skill of the drummers and the pieces they perform are not contemptible, when two or even three performers sit down to one drum and play some piece of native drum-music in the Banks' Islands, or when three drums of different size and tone, as I have heard at Saa, are played together with surprising precision and variety. ”

“ As regards instruments of percussion, a kind of drum deserves special notice on account of the ingenuity evinced in its construction. The Mexicans called it teponaztli. They generally made it of a single block of very hard wood, somewhat oblong square in shape, which they hollowed, leaving at each end a solid piece about three or four inches in thickness, and at its upper side a kind of sound-board about a quarter of an inch in thickness. ”

“ The maker of a drum must climb up the tree from the wood of which he is about to make it, and there, until the drum is finished, he must remain sitting among the [213] branches, or, if these are inconvenient for the purpose, he may erect a scaffold around the trunk of the tree, with a platform on the top of it, and work upon that. Whilst working, he must always keep the upper or tympanic end of his drum facing the wind, the idea of this being that the wind gets into the drum, and makes it musical. ”