Tremolo

Definition and stakes

Portrait of Frederick Corder Frederick Corder,  A Dictionary of Music and Musicians (1900)

“ The most original treatment, perhaps, of a storm is in the prelude to 'Die Walküre.' Throughout this drama the weather is very bad, and there are various kinds of storms, but the first is a magnificent one. The tremolo D held by the violins and violas for nearly 70 bars against the rushing wind of the basses,
is surprisingly effective, and were it not for the comical lightning effect
the artistic value of the movement would be much greater. In Act 2 a theatrical 'thunder machine' is used to enhance the effect, but this cannot be said to belong to the score, though it stands there.
”
Source: Wikisource

Portrait of Camille Saint-Saëns Camille Saint-Saëns,  On the Execution of Music, and Principally of Ancient Music

“ Another plague in the modern execution of music is the abuse of the tremolo by both singers and instrumental performers. With singers, this quivering is often the result of a fatigued voice, in which case it is involuntary and is only to be deplored; but that is not the case with violin and violoncello players. It is a fashion with them born of a desire to make an effect at any cost, and is due to the depraved taste of the public for a passionate execution of music; but art does not live on passion alone. ”
Source: Gutenberg

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