Partition (architecture)

“ Let us repudiate for Architecture all such formal act-of-parliament legislation, and take pycnostyle and aræostyle as the greatest allowable degree of closeness or of distance at which the columns can be placed; and it follows that between such maximum and minimum any intermediate measure is admissible, and that there is no occasion to fix it positively and arithmetically, and make distinctions which are, after all, only arbitrary. There are a great many matters in design which must be left to the Architect, and intercolumniation is one of them. ”

“ Other first signs of the Transition are the diagonal or catercornered fireplace, the hipped or "pyramid" roof, the gambrel roof, and the open-well stairs, which mount up the sides of a room—an arrangement which Britons at home complained of as "wasters of space." In short, it may be said that while these features may earmark a building as of the Transition, they are only thus when combined with certain house-forms and floor plans. A diagonal fireplace by itself is no criterion of a building being Transitional. ”

“ In each bay of the ground story is a deep round-arched rectangular recess in the thickness of the wall, and over each of these an open gallery with two colonnettes and two small jamb pilasters carrying an entablature over each of the lateral spaces so formed, and an arch over the central one, an early instance of a form of compound opening that was much used in the architecture of the later Renaissance. ”

“ The 7 Porticoes which are in the main Front, and which the Architect has reduc'd to the number of 7, to denote the 7 United Provinces, are look'd upon as a defect in Architecture; for they are so narrow, that three Persons can scarce walk a-breast in them: which indeed is contrary to the Rules of134 Architecture, but yet no Fault in a Building, which like the Stadt-house is frequently expos'd to the Rage and Riots of a People as turbulent as the Amsterdamers. ”

“ They are sharply and unmistakably divided into the parts that every building needs to be a work of architecture, the members that mark the division are carefully and successfully adjusted with reference to their place and their scale, and the treatment of the different parts is so varied as to avoid both monotony and miscellany. ”

“ This expedient of continued series forms the sublimity of arcades and aisles, of all ranges of columns, and, on a smaller scale, of those Greek mouldings, of which, repeated as they now are in all the meanest and most familiar forms of our furniture, it is impossible altogether to weary. Now, it is evident that the architect has choice of two types of form, each properly associated with its own kind of interest or decoration: the square, or greatest area, to be chosen especially when the surface is to be the subject of thought ”

“ The columns will not be subject to the same rules of sym­metry and proportion which I prescribed in the case of sanctu­aries; for the dignity which ought to be their quality in temples of the gods is one thing, but their elegance in colonnades and other public works is quite another. Hence, if the columns are to be of the Doric order, let their height, including the capital, be measured off into fifteen parts. Of these parts, let one be fixed upon to form the module, and in accordance with this module the whole work is to be developed. ”

“ Evidently there is in symmetry a sense not merely of equality, but of balance: now a thing cannot be balanced by another on the top of it, though it may by one at the side of it. Hence, while it is not only allowable, but often necessary, to divide buildings, or parts of them, horizontally into halves, thirds, or other equal parts, all vertical divisions of this kind are utterly wrong ”

“ Building became a passion with the wealthy, and with the demand for ideas there arose a supply of men desirous of devoting their lives to the building and embellishment of houses, an ambition of which the fruits may still be enjoyed to some extent.
Subdivision was one of the guiding principles in the evolution of domestic architecture. Time was when the barest necessities in the way of architecture sufficed for the accommodation of the chieftains and their servants, armed or otherwise. ”

“ Let, therefore, the architect who has not large resources, choose his point of attack first, and, if he choose size, let him abandon decoration; for, unless they are concentrated, and numerous enough to make their concentration conspicuous, all his ornaments together will not be worth one huge stone. And the choice must be a decided one, without compromise. It must be no question whether his capitals would not look better with a little carving—let him leave them huge as blocks ”

“ It is obvious that the same treatment cannot well be given to the walls of a church, a theatre, a concert or an assembly room, and a private residence, though it often is done. Nor can an interior, like that of a public hall or palace, that may have such architectural features as columns, pilasters, and well-marked panellings, either of marble, stone, or of wood construction, be treated in a similar manner to that which may be proper for the walls of a room which may be devoid of any architectural features. ”

“ How little modern Architects are capable of modifying the Ionic capital, and adapting it to particular circumstances, may be seen in [Pg 35] the colonnades of the façade of the British Museum, where, at the re-entering or internal angle formed by colonnades at right angles to each other, the column at the angle has two adjoining voluted faces given to it; but as a re-entering or inner angle is circumstanced quite differently from an external one, the consequence is that each of those faces falls opposite the baluster side of the columns ranging with it either way. ”

“ For a sexpartite system no better arrangement could be devised.
Even for quadripartite vaulting the arrangement of Noyon, though logical and effectual, is not the best. The marked disparity in form and in the size of the respective cells, which it occasions between the easternmost compartment and the other compartments of the choir, was a defect which the builders were not slow to observe and to correct. ”

“ In our houses these are solid and permanent, and, when the frame is built, the partitions form part of the framework. In the Japanese house, on the contrary, there are two or more sides that have no permanent walls. Within, also, there are but few partitions which have similar stability; in their stead arc slight sliding-screens, which run in appropriate grooves in the floor and overhead. These grooves mark the limit of each room. The screens may be opened by sliding them back, or they may be entirely removed, thus throwing a number of rooms into one great apartment. ”

“ There is indeed no development of lines or of masses, and no organized relation of parts is aimed at. The openings are not grouped or spaced so as to tell the story of the interior, nor so as to bear any reference to each other, nor are the structural features which every building must possess brought out by modelling; nor is the ornament applied{66} to accentuate the structural features, nor is it designed with reference either to its place or to its function as ornament. ”

“ Columns—which used to be composed of a base, shaft, and capital, in just proportions, supporting a well-adapted architrave or frieze more or less fitly adorned, and a cornice which only added beauty and strength—were exchanged for certain colonnettes, either too short or too slight, knotted, spiral, and grouped so as to torture the eye, and above the disproportioned and inharmonious abacus of the capitals were placed the arches, which in a good style should rest on the architrave. ”

“ The partition should be made of light strips of wood, covered with cheap cloth, and painted to imitate the interior of a room. The door must be quite near the front, of Gothic form, studded with large nails; two iron sockets, four inches square, should be placed on the door and frame; a mahogany table, globe lamp, chairs, carpets, and engravings may be placed in the inner room; the outer apartment should be empty. ”

“ Let us next consider the manifestations of power which belong to its details and lesser divisions.
The first division we have to regard, is the inevitable one of masonry. It is true that this division may, by great art, be concealed; but I think it unwise (as well as dishonest) to do so; for this reason, that there is a very noble character always to be obtained by the opposition of large stones to divided masonry, as by shafts and columns of one piece, or massy lintels and architraves, to wall work of bricks or smaller stones ”

“ The pedestal no more belongs to an Order than an attic or podium placed above the entablature. In the idea of an Order we do not include what is extraneous to the Order itself: it makes no difference whether the columns stand immediately upon the ground or floor, or are raised above it. They almost invariably are so raised, because, were the columns to stand immediately upon the ground or a mere pavement, the effect would be comparatively mean and unsatisfactory ”

“ When minor subdivisions are well planned they supply one of the most interesting forms of surface enrichment or treatment, for if we consider paneling an appropriate form of decoration, we are equally privileged to feel that each small drawer or door adds its quota of interest to the sum total of the entire mass. ”

“ The building owes its quaintness in great part to the division of its superstructure into two unequal masses flanking a narrow court, at the base of which is the main entrance. The general arrangement is not uncommon in the business blocks of New York. The unequal division into masses, of which one is just twice as wide as the other, looks capricious in the present detached condition of the building ”

“ The form of the building is mediæval, being, with exception of the central vault, essentially Byzantine, [27] but the details are classic Roman, and consist of a shallow order of fluted Corinthian pilasters with the entablature at the level of the vaulting imposts. In such a building, however, and used in this way, a classic order is out of place; for an order is a structural system designed for structural use, but the order here has no more structural function than if it were merely painted on the walls. ”

“ I am in favor, therefore, of those plans of house-building which have wide central spaces, whether halls or courts, into which all the rooms open, and which necessarily preserve a body of fresh air for the use of them all. In hot climates this is the object of the central court which cuts into the body of the house, with its fountain and flowers, and its galleries, into which the various apartments open. When people are restricted for space, and cannot afford to give up wide central portions of the house for the mere purposes of passage, this central hall can be made a pleasant sitting-room. ”

“ As service demands a tall vertical primary mass, it is but natural to design the doors to conform with the primary mass. This gives a monotonously long space for the glass panels and suggests structural weakness. To relieve this the designer applied Rule 2a and crossed the vertical panels by horizontal subdivisions, relieving the monotony and still retaining the unity of the primary mass. ”

“ If the rood-loft has already been removed and “there remain a comely partition betwixt the chancel and the church,” no alteration is to be attempted; but “where no partition is standing,” a partition must be built.
In this district the screens usually are woodwork, elaborately carved: very few are stone. The beam is eight or ten feet from the ground, and is supported by uprights three or four feet apart ”

“ This was a vast pile of building, that would make five moderate-sized dwelling-houses, one in the roof, and the other four in the habitable portion of the edifice. A general air of ramshackledness pervaded the exterior, while the interior presented an effect of interminable ranges of white-washed walls, divided off into numberless apartments of various sizes, from a saloon on the piano nobile, or principal floor, measuring more than forty feet long, to small square attic rooms that were little more than cupboards. But this attic story was not all composed of chambers thus dimensioned. ”

“ In connection with the subject of furniture, a remark may be made on the room arrangement of the house, which might, perhaps, have been more fittingly made when discussing that subject, in the designs of our houses. Some people have a marvellous propensity for introducing into their houses a suite of rooms, connected by wide folding-doors, which must always be opened into each other, furnished just alike, and devoted to extraordinary occasions ”

“ When there are decorated wall-faces either external or internal, the compositions must follow the rules of the Orders in the matter of the columns, so that the shafts of the columns be not too long nor slender, not over thick nor short, but that the dignity of the several Orders be always observed. Nor should a heavy capital or base be connected with a slender column, but in proportion to the body must be the members, that they may have an elegant and beautiful appearance and design. ”

“ In what is called the pseudo-dipteral mode, more of clear space within the colonnades was provided by omitting the inner columns, which mode reduced the plan to that of a simple peristyle, the only difference being, that instead of the width of a single intercolumn, a clear space, equal to two intercolumns and one column, was gained for the ambulatories. ”

“ No plan exhibits a curve of any kind, or any angle but a right angle. Courts, chambers, and halls are, in most cases, exact rectangles; and even where any variety occurs, it is only by the introduction of squared recesses or projections, which are moreover shallow and infrequent. When a palace has its own special platform, the lines of the building are further exactly parallel with those of the mound on which it is placed; and the parallelism extends to any other detached buildings that there may be anywhere upon the platform. ”