Summary

Portrait of Charles Dudley Warner Charles Dudley Warner The People for Whom Shakespeare Wrote

He was playwright as well as poet. His variety and multiform genius cannot otherwise be accounted for. He called in the coinage of many generations, and reissued it purified and unalloyed, stamped in his own mint. There was a Hamlet probably, there were certainly Romeos and Juliets, on the stage before Shakespeare. In him were received the imaginations, the inventions, the aspirations, the superstitions, the humors, the supernatural intimations; in him met the converging rays of the genius of his age, as in a lens, to be sent onward thenceforth in an ever-broadening stream of light.
Source: Gutenberg

Portrait of Charles Dudley Warner Charles Dudley Warner The People for Whom Shakespeare Wrote

Humanity is as much lacking as decency. Blood, suffering, does not move them. The court frequents bull and bear baitings; Elizabeth beats her maids, spits upon a courtier's fringed coat, boxes Essex's ears; great ladies beat their children and their servants. "The sixteenth century," he says, "is like a den of lions. Amid passions so strong as these there is not one lacking. Nature appears here in all its violence, but also in all its fullness. If nothing has been softened, nothing has been mutilated.
Source: Gutenberg

Portrait of Charles Dudley Warner Charles Dudley Warner The People for Whom Shakespeare Wrote

M. Taine heightens this picture in generalizations splashed with innumerable blood-red details of English life and character. The English is the most warlike race in Europe, most redoubtable in battle, most impatient of slavery. "English savages" is what Cellini calls them; and the great shins of beef with which they fill themselves nourish the force and ferocity of their instincts. To harden them thoroughly, institutions work in the same groove as nature. The nation is armed. Every man is a soldier, bound to have arms according to his condition, to exercise himself on Sundays and holidays.
Source: Gutenberg

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