Summary

Portrait of Felix Mendelssohn-Bartholdy Felix Mendelssohn-Bartholdy Letters of Felix Mendelssohn-Bartholdy from 1833 to 1847

Reichardt, Berlin. Leipzig, February, 1847.
Dear Madam,
When I meet any one who knew my Father, and who loved and esteemed him as he deserved, I immediately look on such a one as a friend, and not as a stranger, and a meeting of this kind always makes me glad and happy. As you no doubt feel the same, I trust you will excuse the liberty I take in addressing you. I wish to relate to you how touched and delighted the friends of music in Leipzig were yesterday by the composition of your father; we felt as if his spirit were still living and working among us, and indeed it is so.
Source: Gutenberg

Portrait of Felix Mendelssohn-Bartholdy Felix Mendelssohn-Bartholdy Letters of Felix Mendelssohn-Bartholdy from 1833 to 1847

Every one who is in earnest with regard to Art, must indeed mourn with you, for in him a true genius has passed away, a genius that only required life and health to be developed, and to be a source of joy and pride to his family, and a benefit to Art. How very superior many of these works are to those we every day see, even by better musicians, and how there shines forth, in every part, a striving after progress, and the promise of a genuine vocation, along with the most perfect development!
Source: Gutenberg

Portrait of Felix Mendelssohn-Bartholdy Felix Mendelssohn-Bartholdy Letters of Felix Mendelssohn-Bartholdy from 1833 to 1847

How gladly would I write an opera; but far and near I can find no libretto and no poet. Those who have the genius of poetry cannot bear music, or know nothing of the theatre; others are neither acquainted with poetry nor with mankind, only with the boards, and lamps, and side scenes, and canvas. So I never succeed in finding the opera which I have so eagerly, yet vainly striven to procure. Each day I regret this more, but I hope at last to meet with the man I wish for this purpose. I have also written a good deal of instrumental music of late, chiefly for the piano, but others besides
Source: Gutenberg

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