Summary

Portrait of Maurice Hewlett Maurice Hewlett In a Green Shade: A Country Commentary

Miss Richardson does not, and cannot, tell us all. A novel is a piece of art which does not so much report life as transmute it. She takes up what she needs for her purpose, and that may not be our purpose. And so it is with poetry—we don't go to that for the facts, but for the essence of fact. The poet who told us all about himself at some particular pass would write a bad poem, for it is his affair to transfigure rather than transmute, to move us by beauty at least as much as by truth. What we look for so wistfully in each other is the raw material of poetry.
Source: Gutenberg

Portrait of Maurice Hewlett Maurice Hewlett In a Green Shade: A Country Commentary

I saw him as Homer's people saw their eagles. Just as he hung aloft so hung the sun, intent upon the life of our cowering ball. Not elsewhere in England have I seen so shadeless a place, or one so unfitted for human intercourse, so lacking in the comfort, which human sensibilities need. We live in nature as hunted things, beasts of chase. Every eye is upon us in fear or dislike; but in our turn, cursed as well as blessed by imagination, we people the wild with dreadful shapes of menace. The heat, the cold, the wind and the rain work as much against us as for us.
Source: Gutenberg

Portrait of Maurice Hewlett Maurice Hewlett In a Green Shade: A Country Commentary

Begin your harvest; when they hide their eyes,
Then plow. For forty nights and forty days
They are shrouded; then, as the year rounds, they raise
Their shining heads what time unto the stone
You lay your sickle's edge—
and that is your time for harvesting. But you must work hard; for the law of the plains, of the seaboard, and of the upland dales is the same:
You who Demeter's gifts will win good cheap
Strip you to plow and sow, and strip to reap—
and if you in particular, Perses, will do that, perhaps you won't need to go begging at other men's houses as you have begged at Hesiod's.
Source: Gutenberg

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